6 items, 89ms
theme: emily hall tremaine journalism fellowship for curators
Related Searches:
The Importance of Art in a “Good Death” Skip to content Denise Silva-Dennis (Shinnecock), “Sugar Loaf” (2022), acrylic on canvas (image courtesy the artist) Everyone deserves a good death...
How Paño Arte Becomes Artepaño Skip to content Unidentified artist, “SanAnto” (date unknown), ink on cotton, 15 x 15 inches (all photos by Reno Leplat-Torti, courtesy the Reno-Leplat-Torti Collection) If paño arte is the private-facing practice of artists serving time in penitentiaries across the United States, then artepaño encompasses the afterlife of the artifact...
Join Our Curatorial Fellows for Talks on Paño Arte, Indigenous Print Design, and More Skip to content From reframing how the art world sees art made in prison to Indigenous print design, we’re excited to share what our five curatorial fellows have been working on over the past several months...
The Private Life of Paño Arte Skip to content Unrecorded artist, “Deana” (date unknown), ink and colored pencil on cotton, 15 x 15 inches (all photos by Reno Leplat-Torti, courtesy the Reno-Leplat-Torti Collection) I first encountered paño arte , intricate ink or pencil drawings on handkerchiefs created by incarcerated Chicanos, as a boy in south Texas...
The Living Legacy of Funerary Arts Skip to content Toraja people of Indonesia; central Sulawesi, Rongkong area, “Burial Cloth” (19th century), cotton, warp ikat, 65 1/2 x 152 x 107 1/2 inches (image via Wikimedia Commons) Death is one of life’s few universal experiences...
Announcing the Recipients of the 2023–24 Emily Hall Tremaine Journalism Fellowship for Curators Skip to content After receiving many incredible proposals for the Emily Hall Tremaine Journalism Fellowship for Curators, we’re proud to announce this year’s cohort of fellows: Tiffany D...