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La Ligne du Temps
© » KADIST

Valeska Soares

Installation (Installation)

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning. With copper wire stretched out across the room like a clothesline, Valeska Soares’ La Ligne du Temps creates a timeline out of fluttering, old book pages. Read upon the pages of this delicately wrought installation are linguistic approaches to time and its phenomonologies.

Myth of Modernity
© » KADIST

Chulayarnnon Siriphol

Film & Video (Film & Video)

The single-channel video Myth of Modernity opens on historical representations of the universe in Thai Buddhist places of worship –pagodas, palaces and spirit houses. Denoting three cosmological worlds, the colored religious illustrations and ornate monuments are slowly replaced by images of anti-Yingluck protesters during the 2013-2014 Thai political crisis. Over the masses, a flying neon pyramid –the light sculpture Myth of Modernity – echoes the popular simplification of worship architecture into geometrical shapes.

Pest Control 1110, 709, 428 (or, a Myth for Another)
© » KADIST

Tan Zi Hao

Installation (Installation)

Tan Zi Hao produced Pest Control 1110, 709, 428 (or, a Myth for Another) , in response to the Bersih social movement, that catalyzed three rallies on 10th November 2007, 9th July 2011 and 28th April 2012, respectively, to demand a clean electoral roll. Tan Zi Hao’s work is a commentary on the Bersih protest movement; “Bersih” is the Malay word for “clean” and the movement was an important precursor to the changes in Malaysia following the 2018 elections when the Barisan Nasional coalition lost power for the first time since the country’s independence in 1957. Najib Razak, the prime minister ousted in those elections and the focus of some of the biggest demonstrations during the Bersih movement was sent to prison in 2020 after being found guilty of massive theft of public funds.

Void
© » KADIST

Joshua Serafin

Film & Video (Film & Video)

Through the language of dance and choreography, Void by Joshua Serafin narrates the creation of a new God, the birth of a futuristic deity. Serafin’s research into the making of this dance video is centered around creation myth stories of pre-colonial animistic religions from the Philippines, which were suppressed by the Spanish imposition of Catholicism. Through movement, the materiality of his bodily presence on the screen, and the accompanying sci-fi soundtrack, this work proposes the foundation of a queer mythology; the nascent moment of a ‘queer spiritual force’ coming out of an apocalyptic era, perhaps our current one, that has arrived to refund a new kind of humanity.

Marshal Tie Jia (Turtle Island)
© » KADIST

Chia-Wei Hsu

Film & Video (Film & Video)

Marshal Tie Jia (Turtle Island) explores the history of a tiny island off of the coast of Matsu in the Taiwan Strait that has been instrumental in the geopolitical relationships between China, Taiwan, and Japan. The Chinese frog deity, Marshal Tie Jia, is now exiled to the island where he is still revered by the Taiwanese people. The installation includes documentation of the artist’s correspondence with the frog deity placed upon an altar, while the video explores both Marshal’s birthplace in China and his current home on Turtle Island.

Untitled (Don’t See, Don’t Hear, Don’t Speak)
© » KADIST

Shilpa Gupta

Photography (Photography)

The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears. These images suggest that seemingly mobilized societies can actually produce more fear and myths, and that no real freedom is ensured. Instead of facilitating the free circulation of ideas, “advanced” political and technological systems often generate more cultural clichés, wars, and terror.

Untitled (Disneyland Opens)
© » KADIST

Jess

Drawing & Print (Drawing & Print)

Untitled (Disneyland Opens) is a collage by Jess that refers back to the inauguration of Disneyland in Anaheim, California in 1955, and suggests an alternate, more sinister version of events. The inaugural celebrations themselves are remembered for being tumultuous. The great popularity of the opening—together with thousands of counterfeited invitation passes—drew enormous and unexpected crowds that the park was not prepared for.

The Antique Gem
© » KADIST

Jess

Drawing & Print (Drawing & Print)

The Antique Gem is a collage by Jess comprised of eight fantastical scenes featuring the Cupid as its central protagonist. The title of the work and the oval shape of these scenes, refer to ancient engraved gems, a form of fine art dating back thousands of years B. C. Underneath each of the scenes we can also see lines from a poem, which the artist cut out of the book Gems: Selected from the Antique — a 1804 publication by British painter and illustrator Richard Dagley that is considered an important document for the study of engraved gems and a historical artifact itself. The original poem, as Dagley explains in the publication, is an ancient Greek epigram by Aulus Licinius Archias found engraved in a sardonyx (a variety of rock-forming mineral) gem depicting the figure of Cupid curbing a lion.

Pendulum
© » KADIST

Maya Watanabe

Film & Video (Film & Video)

Three men with their backs to each other, dressed similarly in dark colors, stare straight at the camera. They individually deliver sacred lines from the Torah, New Testament, and Qur’an in their representative languages: Old Hebrew, Greek, and Old Arabic. As the camera slowly rotates around the trio, the men begin to perform traditional manifestations of each religious cult: Torah Cantillations, Gregorian Chants, and tilawat of Al-Qur’an.

Ben Deroy
© » KADIST

Ben Shaffer

Sculpture (Sculpture)

Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision. Often the artist works with the motifs of the counterculture and contemporary non-religious spiritualism. The figure hangs suspended—seemingly ascending—animation.

The Individual Is a Mirage
© » KADIST

Erick Beltran

Drawing & Print (Drawing & Print)

In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal. In The Individual Is a Mirage (2010), Beltrán offers up a graphic chart mapping the myth of individual identity.

Animal
© » KADIST

Goddy Leye

Painting (Painting)

Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies. Containing ideas, emotions, and sensibilities, signs and symbols occupy an important place in Leye’s work, though he has to retrieve them from an interrupted history. The painting Animal was made in reference to an important precolonial kingdom, Bamun.

Untitled (Sword)
© » KADIST

Shilpa Gupta

Sculpture (Sculpture)

In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall. Its severed tip dangles from the end of the blade by a string, floating just above the gallery floor.

100 Hand drawn maps of my country, Tel Aviv / Jerusalem
© » KADIST

Shilpa Gupta

Drawing & Print (Drawing & Print)

These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory. Gupta created each map by superimposing 100 separate drawings of each country. The project investigates modern notions of the nation-state, national identity, and borders by looking at countries in which boundaries are contested and the history of the land far precedes such ideas.

100 Hand drawn maps of my country, India
© » KADIST

Shilpa Gupta

Drawing & Print (Drawing & Print)

These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory. Gupta created each map by superimposing 100 separate drawings of each country. The project investigates modern notions of the nation-state, national identity, and borders by looking at countries in which boundaries are contested and the history of the land far precedes such ideas.

Austintipede
© » KADIST

Sahana Ramakrishnan

Painting (Painting)

Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives. Narrative journeys are central to myth, and Ramakrishnan’s own journey through culture, mythology and sexuality is echoed in the physical matter she uses to create her work. The artist embarks on Odyssean quests for her materials.

Enemy’s Enemy: A Monument To A Monument
© » KADIST

Tuan Andrew Nguyen

This work presents the image of an immolated monk engraved on a baseball bat. The flames surround him eroding the extremity of the bat. The delicate sculpture refers to the sacrifice of the Buddhist monk, Thich Quang Duc, who immolated himself on June 16th 1963, in reaction to the discrimination and the repressive politics of the Diem Catholic regime (regime installed by the Americans) towards the Buddhists.

At that time when everything was human
© » KADIST

Aline Baiana

Film & Video (Film & Video)

Indigenous educator and curator Sandra Benites, of the Guarani-Ñandeva people, narrates the origin myth of the bird Urutau in her native language. This nightjar stands still on a branch all day long and, at dusk, cries a low hoot resembling a human weeping. In 2013, indigenous activist José Urutau Guajajara remained on the top of a tree for 26 hours, deprived of food and water by state forces.

The Carpenter
© » KADIST

Jeffry Mitchell

Sculpture (Sculpture)

Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench. It is difficult to tell whether the work represents just any carpenter or Christ, the most famous member of the profession and the subject of innumerable parables and artworks. His stilted pose is not too Messianic; drips of ochre glaze render his handiwork and hammer equally soft.

Man and Pet
© » KADIST

Jeffry Mitchell

Sculpture (Sculpture)

In Man and Pet (2012), two benign ceramic figures smile sweetly upward. The man wraps his small companion in a hug, his arms extending in round arcs all the way to his feet. Though the expressions are strikingly similar—suggestive of Rockwellian Americana—the pet seems somewhat more genial and familiarly fuzzy than its owner, whose saurian pupils lend his face a reptilian air that belies his warm grin.

The Swimmer
© » KADIST

Jeffry Mitchell

Sculpture (Sculpture)

Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly. The stocky figure lets his arm drop to his side, towel dripping on the ground. Mitchell’s umber-toned glaze makes everything look earthy and wet, primordial and warm.

Deredemiux
© » KADIST

Kadar Brock

Painting (Painting)

Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again. Retaining a commitment to his established process, Brock layers paintings about personal memory, family history, and iconographies of New Age religion, alongside representations of masculinities found in the characters of American and Japanese comic books and film. The physical and emotional process of creation, often taking place over many years, enables a reverse archaeology of the self and renders a delicate balance between body, memory, and psychology.

A series of personal questions addressed to a Hikimawashi kappa traveling coat
© » KADIST

James Webb

Installation (Installation)

Referencing psychology, philosophy, and spiritualism, A series of personal questions addressed to a Hikimawashi kappa traveling coat by James Webb is an ongoing series in which the artist poses spoken questions to objects via a speaker installed near the object on display. The questions are addressed to the objects as if they were sentient beings able to respond. Each question is left hanging, unanswered for approximately 10 seconds before the next question is posed.

Araf
© » KADIST

Didem Pekün

Film & Video (Film & Video)

The black-and-white projection, Araf by Didem Pekün, begins, as a lithe man stands high up in the middle of the grand, rebuilt 16th-century Ottoman bridge in Mostar, in Bosnia and Herzegovina. In very slow motion, he soars through the air like a bird in a graceful dive. We never see him land.

Europa Enterprise-0 (EE-0)
© » KADIST

Lala Rašcic

Film & Video (Film & Video)

In Greek mythology, Arachne was a talented mortal weaver who challenged Athena, goddess of wisdom and crafts, to a weaving contest; this hubris resulted in her being transformed into a spider. EE-0 is the first episode of the Europa Enterprise project which looks into new, feminist readings of established Eurocentric myths and reconsiders the meaning of cultural heritage and the production of artifacts for the future. In EE-0 , the Greek myth of Arachne is re-contextualized through a poetic script, taking an imaginative leap from antiquity into science fiction.

Projet d’attentat contre l'image (Acte 3)
© » KADIST

Sinzo Aanza

Installation (Installation)

Projet d’attentat contre l’image? (Acte 3) by Sinzo Aanza brings together literature and objects in their varied forms. This project stems from the artist’s interest in the syncretism that emerged after Congo’s independence in 1960.

AUTOTROFIA
© » KADIST

Anton Vidokle

Film & Video (Film & Video)

Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness. Combining fictional and non-fictional content, the film slips an interpretative script based on the writings of the painter Vassily Chekrygin, and the scientist Vladimir Vernadsky, within the context of an ancient pagan fertility ritual still practiced in the region. The film’s impressionistic plot revolves around the ecological dimensions of Russian Cosmism.

Silhouette in the Graveyard
© » KADIST

Chitra Ganesh

Film & Video (Film & Video)

Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture . All five videos incorporate figures and themes from Buddhist mythology and dialogue directly with artworks from the Rubin Museum, for which the videos were originally produced.? The central figure of Silhouette in the Graveyard is Maitreya, the Future Buddha, whose arrival on Earth was prophesied to usher in a new age.

Excerpts from the Analects of Confucius
© » KADIST

Hung-Chin Peng

Film & Video (Film & Video)

In Excerpts from the Analects of Confucius , Peng Hung-Chih explores the relationship between Confucianism and religion. Specifically, the piece questions the influence of Confucian teachings on the role of the intellectual in contemporary Chinese society. While Confucianism has its own ritual systems and temples, it is not known to be overly concerned with supernatural beings such as gods and demons.

Cosmos animiste
© » KADIST

Dominique Zinkpè

Painting (Painting)

Dominique Zinkpè’s works with a wide range of materials, from jute to used cars to “hôhô” figures, which come from the Cult of Twins in southern Benin as a voodoo religion symbole of fertility. His portfolio is continually morphing between mediums and subjects, tackling issues such as intimacy, sex, the sacred and the profane while linking ancestral culture with the contradictions found in today’s world. These sketches of tumultuous human drama are infused with elements of irony and satire to reveal Zinkpè’s most disturbing and arresting constructs of the imagination.

Jonas Bendiksen

Jonas Bendiksen is a Norwegian-American artist and photographer whose work addresses enclaves, people on the fringes of society, and those living in isolated communities...

siren eun young jung

With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...

Wang Tuo

Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...

Chia-Wei Hsu

Embarking from myriad audio-visual narratives, Chia-Wei Hsu pursues imaginative interrogations of cultural contact and colonization in Asia, oftentimes amalgamating his primary narratives with non-human actors including technologies, animals, gods, environments, traditions, and material objects...

Shilpa Gupta

Harit Srikhao

Harit Srikhao perceives photography as a culturally determined medium...

Jeffry Mitchell

The Seattle-based sculptor Jeffry Mitchell creates cartoonlike creatures from low-fire earthenware...

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

Bo Wang

Through new media, installation, and video and film, Bo Wang’s practice embodies sociopolitical and cultural subjects in contemporary China and beyond...

Jess

Jess Collins (most commonly known as Jess), is a celebrated San Francisco artist known for his highly symbolic paintings and layered collages that combine imagery from mythology, alchemy, popular culture and the male body...

Ana Vaz

Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...

Yael Bartana

Aline Baiana

Aline Baiana’s work is informed by extensive theoretical and field research on indigenous, feminist, ethnic, environmental, and social justice matters...

Sky Hopinka

Sky Hopinka is from the Ho-Chunk Nation/Pechanga Band of Luiseño Indians...

Vidya Gastaldon

Vidya Gastaldon creates microcosms of hallucinatory, saccharine symbols with her sculptures, drawings, video animations, and prints...

Goddy Leye

Born in 1965 in Mbouda (Cameroun), Goddy Leye was an artist, a teacher, a cultural activist and a curator based in Douala (Cameroun)...

Mary Reid Kelley

Drawing from literature, plays, and historical events, Mary Reid Kelley makes rambunctious videos that explore the condition of women throughout history...

Anton Vidokle

Kadar Brock

Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...

James Webb

James Webb is a conceptual artist, known for his site-specific interventions and installations...

Li Shuang

Raised in rural south-eastern China in the 1990s, Li Shuang grew up consuming popular media such as YouTube, MySpace, knock off Nintendo consoles, pirated video games, and dakou CDs...

Erick Beltran

Hung-Chin Peng

There is a palpable urgency in the work of Taiwan-based Peng Hung-Chih, who uses video, sculpture, installation, and painting as means to criticize society...

Patty Chang

Ayoung Kim

Ayoung Kim is interested in notions of crossings, transmissions, transnationals, trans-positions and reversibility...

Meschac Gaba

born in 1961 in Cotonou, Benin...

Ho Tzu Nyen

Sinzo Aanza

Sinzo Aanza is a visual artist, poet, and playwright...

Joshua Serafin

Joshua Serafin is trained in dance in the Philippines, Hong Kong, and Brussels...

Tala Madani

Madani’s paintings have a caricatural quality that suggest a satirical intention...

© » SLASH PARIS

this quarter (02/12/2024)

Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Amy Bravo — I’m Going There With You Exhibition Installation, painting, sculpture, mixed media Upcoming Amy Bravo, Elegy to the Mustache, 2024 Graphite, wax pastel, acrylic on canvas, found objects, mirror and plaster — 54 × 36 × 1 in...

© » WHITEHOT

this quarter (02/12/2024)

Kyle Staver: Truth Be Told at Half Gallery advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 Kyle Staver: Truth Be Told at Half Gallery Kyle Staver, Amazon Archers, 2023...

© » KADIST

this quarter (02/12/2024)

OCAT Shanghai and KADIST are pleased to announce that Wang Tuo has been selected for a research residency at KADIST San Francisco as part of the OCAT x KADIST Emerging Media Artist Residency Program 2020 The artist was selected by an esteemed international jury from the shortlist of artists selected for the Emerging Media Artist Exhibition 2020...

© » HYPERALLERGIC

about 3 months ago (02/08/2024)

Join Our Curatorial Fellows for Talks on Paño Arte, Indigenous Print Design, and More Skip to content From reframing how the art world sees art made in prison to Indigenous print design, we’re excited to share what our five curatorial fellows have been working on over the past several months...

© » TRIBLIVE

about 3 months ago (02/03/2024)

Painting by René Magritte may fetch $64 million at auction marking century of surrealism | TribLIVE.com Art & Museums Painting by René Magritte may fetch $64 million at auction marking century of surrealism Associated Press Saturday, Feb...

© » ARTSY

about 3 months ago (02/02/2024)

Anselm Kiefer’s Intimate Watercolors Reveal His Softer Side | Artsy Skip to Main Content Advertisement Art Anselm Kiefer’s Intimate Watercolors Reveal His Softer Side Katie Tobin Feb 2, 2024 4:07PM Anselm Kiefer, Für Adalbert Stifter: Waldsteig, 2015...

© » FRANCE24

about 3 months ago (01/30/2024)

'Homoerotic, sexualised' Jesus poster sparks outrage in Spain - In the press Skip to main content 'Homoerotic, sexualised' Jesus poster sparks outrage in Spain Issued on: 30/01/2024 - 11:19 07:56 IN THE PRESS © FRANCE 24 By: Dheepthika LAURENT IN THE PRESS – Tuesday, January 30: We take a look at the French and European papers after French farmers blockade the majors roads leading to Paris in a protest over their working conditions and pay...

© » HYPERALLERGIC

about 4 months ago (12/17/2023)

Anselm’s Sweeping Vision Obscures the Political Skip to content Anselm , dir...

© » TWOCOATSOFPAINT

about 4 months ago (12/16/2023)

Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...

© » NYTIMES LENS

about 5 months ago (12/12/2023)

Lens - The New York Times Advertisement SKIP ADVERTISEMENT Highlights Photo Credit Johis Alarcón lens Afro-Ecuadoreans Maintain Identity Through Spiritual Practices The photographer Johis Alarcón documented not just the indelible influence of African culture in Ecuador, but also how the descendants of enslaved women maintained their culture...

© » HYPERALLERGIC

about 5 months ago (12/11/2023)

NXTHVN Opens Applications for Studio and Curatorial Fellowships Skip to content Exterior of NXTHVN building in New Haven, Connecticut NXTHVN is pleased to announce the opening of its annual open call for Studio and Curatorial Fellows ...

© » FRANCE24

about 5 months ago (12/11/2023)

Renaissance nude row sparks teacher walkout at French school Skip to main content Renaissance nude row sparks teacher walkout at French school Teachers at a school outside Paris refused to work on Monday as the establishment grappled with a crisis sparked by the showing in class of a painting by a Renaissance master containing several nude women...

© » ARTNEWS REVIEWS

about 5 months ago (12/08/2023)

Review: ‘Anselm,’ by Wim Wenders, Is a Boring Anselm Kiefer Film – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All December 8, 2023 9:15am Still from Anselm , 2023...

© » ARTSY

about 5 months ago (12/05/2023)

Wim Wenders will release 3D documentary “Anselm” on artist Anselm Kiefer...

© » FLASH ART

about 5 months ago (11/27/2023)

"HOPE" Museion / Bolzano | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » ARTPRESS

about 6 months ago (10/30/2023)

Table des matières "Marcel Duchamp, pour et contre" X 30 octobre 2023 Dans 50 ans d’art contemporain , AP Print Table des matières “Marcel Duchamp, pour et contre” > COMMANDER LE VOLUME 4 Avant-propos Catherine Millet 8 Sa vie, ses œuvres 9 Marcel Duchamp...

© » BOMB

about 7 months ago (09/14/2023)

BOMB Magazine | Monica Sorelle Interviewed Necessary (Required) Cookies that the site cannot function properly without...

© » LENS CULTURE

about 10 months ago (07/07/2023)

Oreille Coupée - Photographs by Julien Coquentin | Book review by Justin Herfst | LensCulture Book review Oreille Coupée Investigating the remarkable return of a lone wolf to south central France, Julien Coquentin’s “Orielle Coupée” uses cyanotypes, landscapes and portraits to tell its story...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

‘You Don’t Have to Be Rich’: How One Young German Entrepreneur Is Busting the Myth of the ‘Typical’ Art Collector - via artnet news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

A new survey from Arts Economics and Independent argues that New York is extremely well positioned to bounce back from the shutdown....

© » ARTS EQUATOR

about 20 months ago (09/06/2022)

Hurt Need Undo Live: A Mantra of Possibilities | ArtsEquator Skip to content In his latest exhibition, Jerome Kugan embraces his amorphous self and allows themes of religion, sexuality and nudity to intertwine ever so delicately...

© » ARTS EQUATOR

about 20 months ago (09/01/2022)

Creativity, Conservatism, and Censorship: A Philippine Snapshot | ArtsEquator Skip to content In a wide-ranging historical analysis of censorship in the Philippines, from Marcos (Senior) to Marcos (Junior), Katrina Stuart Santiago lays bare the myth of artistic freedom in the Philippines...

© » ARTS EQUATOR

about 25 months ago (03/31/2022)

Spectres of May 13, 1969 | ArtsEquator Skip to content Eddie Wong writes of the various spectres around the riots of May 13 1969 that continue to haunt the Malaysian psyche till today...

© » ARTS EQUATOR

about 30 months ago (11/01/2021)

Shock Horror: The Southeast Asian monsters we love | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Illustrations by Divyalakshmi and Natalie Christian Tan November 1, 2021 ArtsEquator chats with five writers about their favourite horror characters and monsters from Southeast Asian lore and mythology...

© » ARTMARKETMONITOR

about 30 months ago (10/28/2021)

Phillips Drops a Last-Minute $35m Bacon Bomb on the November Sales Francis Bacon, Pope with Owls, 1958 )$35-45m) Phillips announces tonight that it will offer Francis Bacon’s ‘Pope with Owls’ ($35 – 45 million) from 1958 during its New York Evening Sale of 20th Century & Contemporary Art...

© » HIGH FRUCTOSE

about 53 months ago (12/26/2019)

Omar Rayyan’s mythological paintings call upon a centuries-old sensibility while showcasing the artist’s penchant for the monstrous...

© » ARTS EQUATOR

about 55 months ago (11/01/2019)

The architecture of patriarchy: The Professor by Faisal Tehrani | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 1, 2019 By Lily Jamaludin (1,650 words , 7-minute read) Trigger warning: Descriptions of sexual assault...

© » ARTS EQUATOR

about 60 months ago (05/21/2019)

Reframing Colonialism: “Civilised” by The Necessary Stage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography May 22, 2019 By Naeem Kapadia (954 words, 4-minute read) There has been a slew of works responding to the bicentennial of Singapore’s founding by Sir Stamford Raffles, an event that the authorities have chosen to spend all year celebrating through a series of activities such as guided tours, exhibitions and immersive performances...

© » ARTS EQUATOR

about 68 months ago (09/11/2018)

Vietnamese Cultural Week opens in Cambodia (via Nhân Dân) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 11, 2018 NDO – The Vietnamese Culture Week opened at Chaktomuk theatre, in Phnom Penh, Cambodia, on September 11...

© » KADIST

about 11 months ago (06/07/2023)

© » KADIST

about 13 months ago (03/27/2023)

© » KADIST

about 27 months ago (02/07/2022)

© » KADIST

about 36 months ago (05/25/2021)

© » KADIST

about 57 months ago (08/10/2019)

© » KADIST

about 68 months ago (09/22/2018)

© » KADIST

about 90 months ago (11/19/2016)

© » KADIST

about 95 months ago (07/06/2016)

© » KADIST

about 98 months ago (03/26/2016)

© » KADIST

about 99 months ago (03/23/2016)

© » KADIST

about 100 months ago (02/21/2016)

© » KADIST

about 138 months ago (01/03/2013)

© » KADIST

about 163 months ago (12/04/2010)

© » KADIST

about 165 months ago (10/02/2010)

© » KADIST

about 165 months ago (10/02/2010)

© » KADIST

about 208 months ago (03/17/2007)