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Japanese House Series
© » KADIST

Tomoko Yoneda

Photography (Photography)

Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945. Yoneda focuses both on the original Japanese features of the houses and on details that have been altered since the end of the occupation. The yet-to-be acknowledged history of the occupation of Taiwan and other East Asian countries by Japan during World War II is subtly disclosed in these pictures.

A poem written by 5 poets at once (first attempt)
© » KADIST

Koki Tanaka

Film & Video (Film & Video)

This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013. These videos show several participants from different backgrounds gathering to create and object or an action. For this video, he brought together five Japanese poets from different movements and styles.

Walking Through
© » KADIST

Koki Tanaka

Film & Video (Film & Video)

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures.

Process of Blowing Flour
© » KADIST

Koki Tanaka

Photography (Photography)

Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour . The images depict the gradual blowing away of a plate of flour held by Tanaka. Because his pose is static throughout the images, his presence is deemphasized and instead the viewer’s attention is drawn to the motion of the flour.

Hako
© » KADIST

Hiraki Sawa

Film & Video (Film & Video)

Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled. Interiors of a Victorian doll’s house, a rippled seascape, a palm tree forest, and a gravel seashore are superimposed, morphing into each other. The hermetic narrative is charged with psychological and mythological aspects.

Untitled (Family Project)
© » KADIST

Motoyuki Daifu

Photography (Photography)

Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama. This young photographer’s Family Project series documents the chaos of his family’s home life. Viewers of Daifu’s color photographs peer into the cramped, cluttered, and intimate world of their living quarters, what would normally be hidden from outsiders.

2012.3.24 Kesen-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

2011.5.1 Yonesaki-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

2013.10.20 Kesen-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

2012.11.4 Takata-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

2011.4.4 Kesen-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints, Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

Film & Video (Film & Video)

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills. Divided into three versions, the video first shows a number of Japanese ten-thousand-yen bills being counted without in an orderly, efficient manner. In Two Million , a similar counting of one-thousand-dollar bills from Hong Kong follows.

LIFE #1, a reenactment of a Japanese officer who is about to behead an Australian flier. The Pacific, 1945
© » KADIST

Shay Arick

Film & Video (Film & Video)

Part of a series of videos called LIFE, where Shay Arik videos that re-enact iconic journalistic photographs. As explained by the video’s title, the departure point for LIFE #1 is the iconic 1943 photograph published by Life magazine that captures Japanese officer Yasuno Chikao from the Imperial Japanese Navy as he raises his sword, seconds before publically beheading Australian war commando Leonard Siffleet in the shores of Papua New Guinea. In Arick’s restaging there are no onlookers in the scene, the only two figures represented are Chikao and Siffleet: the perpetrator and victim of this fatal act of violence.

Steak House
© » KADIST

Taro Izumi

Film & Video (Film & Video)

Steak House is a video representing two small puppets smearing the artist’s face with paint while he is sleeping. The work is based on modest means and reuses the classic theme of inanimate objects coming to life during the night while humans sleep. Is this the artist’s return to repressed feelings or fatigue provoked by the task?

In the State of Amnesia
© » KADIST

Meiro Koizumi

Film & Video (Film & Video)

Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr. Nobuhiro Tanaka, who damaged his brain when he had an accident when he was 21. Since then he has been living with a memory disorder. I asked Mr. Tanaka to memorize a testimony of a Japanese soldier who served in the war in China during WWII.

Inder Kommen Sie / It’s a Comedy
© » KADIST

Meiro Koizumi

Film & Video (Film & Video)

This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India. In the framework of this exhibition, Meiro Koizumi decided to use a controversial book of modern Japanese history The Judgement of Justice Radhabinod Pal , as material for his work. Koizumi created a performance combining the paradoxical context of this book with monstrous representation of Indian gods.

Dr.N Song
© » KADIST

Ozawa Tsuyoshi

Film & Video (Film & Video)

Dr. N Song belongs Ozawa’s body of work The Return of Dr. N in which he follows a humorous fictional character based upon the historical figure Dr. Hideyo Noguchi who researched yellow fever in Ghana in 1927. Though Dr. Noguchi was known for his unruly temper and behavior and many of his discoveries were erroneous, he was widely revered in Japanese society. Ozawa’s Dr. N story explores links between Japan and Africa, past and present, fact and fiction, through the commissioned work of Ghanaian painters and musicians working in popular African styles.

Reflection Paper No.2
© » KADIST

Wang Taocheng

Film & Video (Film & Video)

Reflection Paper No. 2 is one of four videos in which Wang attempts to accurately illustrate the writings of influential Chinese Eileen Chang, who published her works during the Japanese occupation of China. Image and text reflect on the everyday experiences of women in society, family, marriage, love, and death.

From the series Las Mariposas Eternas (the Eternal Butterflies)
© » KADIST

Adrian Villar Rojas

The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies). They are studies for two large sculptures that explore the role of monuments and emblems in the configuration of Latin American national identities. The first drawing reproduces an equestrian statue of Juan Lavalle, one of Argentina’s independence heroes.

Lessons of the Blood
© » KADIST

James T. Hong

Film & Video (Film & Video)

Lessons of the Blood by James T. Hong pieces together interviews, extensive archival and field research, and TV footage addressing Japan’s use of biological warfare and experimentation on Chinese prisoners during World War II, as well as the revisionism of the Japanese government and Chinese survivors’ attempts to live with this horrific history and to find justice. Co-written, directed, edited and produced with Yin-Ju Chen, whose work is also represented in the Kadist collection, Lessons of the Blood is a meditation on propaganda, the ways in which national mythologies can literally infect and poison the most vulnerable among us, and the legacy of World War II in China, presented through the testimonies of survivors, academics, medical experts, nationalists and activists. The film locates its genesis in the publication of the New History Textbook in Japan in 2000, which infamously glossed over the Japanese Empire’s wartime atrocities, sparking rage and violent protests in China and South Korea in 2005.

Taiwan WMD - Uranium
© » KADIST

James T. Hong

Sculpture (Sculpture)

Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program. T. Hong’s research is not only an effort to revisit a dark time that complicates certain histories, but more importantly an investigation of how violence is enacted in the name of rationality.

Soft Rock Valley
© » KADIST

Zon Ito

Painting (Painting)

This embroidery on fabric tackles the oneiric and the uncanny to bring about visions of the world. One can discern the methods of nihonga painting (the traditional Japanese style that renders landscape and forms out of subtle shadows), but Ito upsets the balance by destroying perspective. His work is staunchly non-narrative.

Untitled (Heads)
© » KADIST

Phan Thao Nguyên

Installation (Installation)

On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina. The Japanese presence in Indochina lasted until the end of World War II and during the occupation, jute supplies from India were interrupted. Jute was used to make sacks as well as gunpowder, a crucial material for the war industry.

La beauté sauvera le monde
© » KADIST

Hassan Massoudy

Drawing & Print (Drawing & Print)

Ranging from Baudelaire to the Koran, each of Hassan Massoudy’s drawings are titled with a quotation from a text. In the case of La beauté sauvera le monde, the text originated from Dostoyevsky’s The Idiot , alluding to aspirations, models of behavior and words of wisdom. The image itself, though generated in a hybrid manner relating to Arabic and Japanese calligraphy, suggests both fluttering flags and buildings rising high out of the desert as one would see in many developing Middle Eastern countries.

Takasago
© » KADIST

Chia-Wei Hsu

Film & Video (Film & Video)

The word Takasago alludes to several things at once. Takasago is the name of a multi-billion dollar Japanese corporation, previously situated in Taiwan pre-World War II. It is also a famous Japanese Noh play, the oldest extant form of performance in Japan, combining dance, costuming/masks, acting, and operatic chants.

Untitled Inkblot Drawing (CT-1491)
© » KADIST

Bruce Conner

Drawing & Print (Drawing & Print)

Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions. Untitled Inkblot Drawing (CT-1491) (1995) is representative of his aspect of his practice. It is a formal exploration related to many different things: the Rorschach inkblot testing used by psychologists, Japanese calligraphy, Egyptian hieroglyphs, and the intricate patterning Conner saw everywhere in the world around him.

A series of personal questions addressed to a Hikimawashi kappa traveling coat
© » KADIST

James Webb

Installation (Installation)

Referencing psychology, philosophy, and spiritualism, A series of personal questions addressed to a Hikimawashi kappa traveling coat by James Webb is an ongoing series in which the artist poses spoken questions to objects via a speaker installed near the object on display. The questions are addressed to the objects as if they were sentient beings able to respond. Each question is left hanging, unanswered for approximately 10 seconds before the next question is posed.

Re/cover no. 6, 8, and 9
© » KADIST

Phan Quang

Photography (Photography)

Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam. After World War II, many Japanese soldiers who fought in Vietnam stayed in the country. They married Vietnamese women, had children, and lived in the country until Japan recalled them home.

Nakayama
© » KADIST

Pierre Gonnord

Photography (Photography)

Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities. These images reflect on new canons of beauty, and the appearances and simulacra of fashion for a new generation. In particular, these works consider themes of androgyny, crossbreeding, and recycling.

Fire Embroidery
© » KADIST

Gozo Yoshimasu

Drawing & Print (Drawing & Print)

Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami. He embarked on the project out of a deep sense of sympathy and commitment, in pursuit of “poetry possible after March 2011”, without exactly knowing where he was heading. He started scribing lines and letters on exceptionally large manuscript paper that he handcrafted every day.

Naoya Hatakeyama

Yosuke Takeda

Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...

Cao Fei

Gozo Yoshimasu

Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...

Koki Tanaka

Eric Baudelaire

Currently based in Paris, Franco-American artist Eric Baudelaire has developed an oeuvre primarily composed of film, but which also includes photography, silkscreen prints, performance, publications and installations...

Park Chan-Kyong

Artist and filmmaker Park Chan-kyong was born in Seoul under the reign of Park Chung-hee, whose authoritarian rule transformed South Korea from an impoverished, war-torn country into what the artist describes as a ‘militaristic, repressive, modern state.’ The shadows of Japanese occupation and the Korean War loomed large over the period, driving the call for nationalism and productivity...

Meiro Koizumi

Meiro Koizumi is a Japanese video and performing artist, born in 1976...

Lieko Shiga

Based on an instinctive feeling of unease with the convenience and automation of daily life, Lieko Shiga has developed an artistic approach that links questions about the nature of the photographic medium with fundamental questions about life and the means of expressing oneself...

Kwan Sheung Chi

Kwan Sheung Chi obtained a third honor B.A...

Melvin Moti

Scientific research, high and mass culture, and the processes of cultural production in contemporary society plays an important role in the work of Rotterdam-born artist Melvin Moti, currently based in Rotterdam and in Berlin...

Malik Nejmi

The practice of the French-Moroccan artist Malik Nejmi (b...

Martin Boyce

Jane Jin Kaisen and Guston Sondin-Kung

Working with narrative experimental film, multi-channel video installation, performative video art, photography, and text, Jane Jin Kaisen engages themes of memory, trauma, migration and translation at the intersection of personal and collective histories...

Bontaro Dokuyama

Bontaro Dokuyama became an artist after the triple disaster of March 2011 that irrevocably damaged his hometown of Fukushima, “sensing that everything that had been taught to him was a lie.” Previously working as an architect, he then started his artistic practice under a new name in order to underline the beginning of this new life...

Ali Cherri

The work of Ali Cherri, currently based in Beirut and in Paris, travers the traces of war in Lebanon in the landscape and in the collective memory...

Motoyuki Daifu

Hong-Kai Wang

Wang is an artist working primarily with sound...

Hiraki Sawa

Ahmad Fuad Osman

Ahmad Fuad Osman is of a generation that came of age in a Malay world whose artists were eager to speak about socio-political issues on terms that broadened questions of nationhood, ethnicity, faith, and historical fact, doubtful of the grand narrative that had been propounded since the race riots of the late 1960s...

Bady Dalloul

Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...

Hassan Massoudy

Hassan Massoudy trained as a classical calligrapher in Baghdad before attending the Ecole des Beaux-Arts in Paris in 1969...

Sung Hwan Kim

In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...

Tatsuki Masaru

Tatsuki Masaru became an independent photographer in the late 1990s after studying under Kyoji Takahashi, photographer mainly familiar to Japanese audiences for his commercial and fashion photography but also an independent image-maker producing photos, films and installations...

Matti Braun

Matti Braun’s work entails research and experienced wanderings during sojourns and journeys...

Yoshinori Niwa

Yoshinori Niwa’s practice takes the form of social interventions, executed through performance, video and installation...

Shimabuku

Born in 1969 in Kobe, Shimabuku is an artist who collects unusual encounters...

Zon Ito

Zon Ito was born in 1971 in Osaka...

Kadar Brock

Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...

© » SOUTH CHINA MORNING POST

about 3 months ago (02/12/2024)

‘Dazzling moments in the everyday’ inspire Japanese artist Mika Ninagawa’s immersive installation Eternity in a Moment | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese filmmaker, photographer and visual artist Mika Ninagawa during an interview in her office in Tokyo...

© » OBSERVER

about 3 months ago (02/09/2024)

Review: Glenn Kaino’s ‘Walking with a Tiger’ at Pace Gallery | Observer Installation view of ‘Glenn Kaino: Walking with a Tiger’ at Pace’s 540 West 25th Street gallery...

© » SOUTH CHINA MORNING POST

about 3 months ago (02/08/2024)

Different Mahjong versions, from the classical Chinese game to American mahjong, with its joker tiles, and Japanese riichi | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more There are many variations of mahjong played around the world, with different rules and scoring systems and in some, unique tiles...

© » SOUTH CHINA MORNING POST

about 3 months ago (02/07/2024)

All about washi: Japanese handmade paper’s ancient Chinese roots, its uses from writing to home decor, and why it can cost US$120 a sheet | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Sheets of Hosokawa-shi, a type of Japanese washi recognised by Unesco as an item of intangible cultural heritage...

© » HYPERALLERGIC

about 3 months ago (02/06/2024)

Family Portrait: Japanese Family in Flux Skip to content Still from Still Walking (2008), dir...

© » MODERN MET ART

about 3 months ago (01/30/2024)

New Exhibition Merges Pokémon with Japanese Craft Home / Art Unique Pokémon Exhibit Made With Traditional and Contemporary Japanese Craft Techniques By Margherita Cole on January 30, 2024 Photo: ©JAPAN HOUSE Los Angeles Since its debut in 1996, Pokémon has become a fixture of pop culture...

© » SOUTH CHINA MORNING POST

about 3 months ago (01/28/2024)

Japanese artist Yoshitomo Nara on his art’s meaning, and chasing the ‘carefree freedom’ of childhood | South China Morning Post Japanese artist Yoshitomo Nara on his art’s meaning, and chasing the ‘carefree freedom’ of childhood Art Yoshitomo Nara, one of Japan’s leading contemporary artists, talks about his influences, from punk rock to Kraftwerk, and what drives him – it isn’t money Kate Whitehead + FOLLOW Published: 7:15am, 29 Jan, 2024 Why you can trust SCMP I am from Aomori, in the north of Japan’s main island of Honshu...

© » SOUTH CHINA MORNING POST

about 3 months ago (01/28/2024)

A Hong Kong village house with a Balinese vibe brings Scandinavian, Moroccan and Japanese elements together seamlessly – and it all started with a single-line drawing....

© » SOUTH CHINA MORNING POST

about 3 months ago (01/26/2024)

What’s cute? From cats, including Hello Kitty, to cherubs, London exhibition ‘Cute’ explores all things adorable | South China Morning Post Advertisement Advertisement Tourism + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Hello Kitty toys are displayed as part of the exhibition “Cute” at Somerset House in London...

© » ARTNET

about 4 months ago (12/18/2023)

The artist's philosophical paintings are on view at the Kyoto City Kyocera Museum of Art...

© » LARRY'S LIST

about 4 months ago (12/18/2023)

Art Collector of Japanese Art Who Began with a £55 Punt Sees His Collection Go on Show at the Royal Academy - via The Jewish Chronicle...

© » THE GUARDIAN

about 5 months ago (12/12/2023)

‘We laughed and cried a lot’: a Japanese photographer in Alabama – in pictures | Art and design | The Guardian Skip to main content ‘We laughed and cried a lot’: a Japanese photographer in Alabama – in pictures ‘He looked very proud’ … Matthew in His Car, 2019 The Band, 2017 When Japanese photographer Fumi Nagasaka was invited by her friend Tanya to visit her home town of Dora, Alabama, it proved to be a moment of creative inspiration...

© » SOUTH CHINA MORNING POST

about 5 months ago (12/12/2023)

Japanese ‘rainbow artist’ Ay-O’s debut solo Hong Kong exhibition the first in a series highlighting significant Asian artists | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese artist Ay-O’s screenprint “Homage to Rousseau” is part of his exhibition at the M+ museum of visual culture in the West Kowloon Cultural District...

© » THEARTNEWSPER

about 5 months ago (12/08/2023)

Girls on top: wrestling smackdown draws the Art Week Miami crowds Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Girls on top: wrestling smackdown draws the Art Week Miami crowds Sukeban, a group of Japanese women wrestlers, drew the crowds to a skatepark under an overpass at one of Art Week Miami’s more unusual events Gareth Harris 8 December 2023 Share Dressed to kill: Bingo, one of the competitors in the Sukeban Collective wrestling tournament on Wednesday night Deonté Lee/BFA.com It was a first for Art Week Miami: a Japanese women’s wrestling event held in a skatepark in the city’s downtown area...

© » MODERN MET ART

about 5 months ago (12/06/2023)

Traditional Craftsmanship Merges With Digital Pixels in Installation Home / Art / Installation Suspended Paper Kite Installations Explore Artist’s East Asian and Western Identities in the Digital Age By Margherita Cole on December 6, 2023 Japanese-American artist Jacob Hashimoto unveiled an immersive installation at the Miles McEnery Gallery in New York City...

© » DIANE PERNET

about 5 months ago (12/03/2023)

Echoes of Genji: Unraveling Timeless Emotions from Heian Elegance to Modern Reverie at the Guimet Museum till March 25th – A Shaded View on Fashion Dear Shaded Viewers, What do a beloved 1980s manga series “Asakiyume mishi” and an exquisite 18th-century lacquer box once owned by Marie-Antoinette share in common? At first glance, not much...

© » KUMI CONTEMPORARY JAPANESE ART

about 6 months ago (11/01/2023)

Chiho Aoshima, a prominent Japanese artist, burst onto the international art stage in the early 2000s, showcasing a distinctive fusion of traditional Japanese artistic techniques and contemporary themes...

© » BOMB

about 6 months ago (10/27/2023)

BOMB Magazine | Planet Q Necessary (Required) Cookies that the site cannot function properly without...

© » LARRY'S LIST

about 7 months ago (10/05/2023)

WHAT MUSEUM, situated in Tennoz, Tokyo, is currently hosting a captivating exhibition entitled "ART de Cha Cha Cha - Exploring the DNA of Japanese Contemporary Art -" from the esteemed Takahashi Ryutaro Collection...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Japanese Mega-Collector Yusaku Maezawa Is Giving Away $9 Million to His Twitter Followers to See If Money Makes People Happy - via artnet news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

What happens when a fish baron from Japan decides to collect contemporary Indian art and wants to sell some of his precious collection? He goes to a distinguished gallery in Mumbai, Pundoles, that has history......

© » LARRY'S LIST

about 19 months ago (10/05/2022)

‘I Will Not Run or Hide’: Billionaire Art Collector Yusaku Maezawa, Famous for Buying Basquiats, Responds to Tax-Evasion Accusations - via artnet news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

DUBAI: Christie’s Paris is hosting an online charity auction of Middle Eastern art to benefit artists through the Institut du Monde Arabe (IMA)...

© » ARTS EQUATOR

about 49 months ago (04/16/2020)

Weekly Southeast Asia Radar: Japanese ska in Saigon, experimental music in Yangon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Alberto Prieto via Saigoneer April 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » HIGH FRUCTOSE

about 52 months ago (01/18/2020)

Toshio Saeki, the legendary Japanese artist known for blending eroticism, horror, and humor in his works, passed away in November at the age of 74...

© » HIGH FRUCTOSE

about 52 months ago (01/10/2020)

Painter Maha Ahmed’s creature-filled paintings are inspired by traditional Persian and Japanese techniques and sensibilities...

© » HIGH FRUCTOSE

about 53 months ago (12/19/2019)

Seiran Tsuno's ghostly dresses rest above the bearer and recontextualize the human body...

© » ARTS EQUATOR

about 67 months ago (10/25/2018)

Some Southeast Asian picks from the Busan International Film Festival (via Bangkok Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 25, 2018 How do Aceh and Japan, two places that seem unrelated, separated by a vast distance of land and sea, connect on the personal and historical level? For one, they both have been hit by a tsunami — Aceh in the massive tragedy that struck many parts of Southeast Asia in 2004 and Japan in 2011...

© » ARTS EQUATOR

about 70 months ago (07/18/2018)

The World Cup, The Japanese Occupation and Our Painful Inheritance Thinking and Talking about Arts and Culture in Southeast Asia Articles July 18, 2018 This article is republished from the Singapore International Film Festival editorial...

© » KADIST

about 44 months ago (09/18/2020)

© » KADIST

about 58 months ago (08/10/2019)

© » KADIST

about 60 months ago (05/22/2019)

© » KADIST

about 79 months ago (10/25/2017)

© » KADIST

about 79 months ago (10/25/2017)

© » KADIST

about 112 months ago (02/07/2015)

© » KADIST

about 116 months ago (10/21/2014)

© » KADIST

about 118 months ago (08/12/2014)

© » KADIST

about 121 months ago (05/10/2014)

© » KADIST

about 128 months ago (10/19/2013)