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Human Quarry
© » KADIST

Leslie Shows

Painting (Painting)

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage. Both through its title and formally—through how the shapes in the composition resemble a mountain or natural formation—the piece relays us to a mineral quarry or a deep mining pit where materials are extracted. Interspersed among the block-like figures and rocky textures, we also see several human silhouettes, either cut-out, or as if they were whited out by a shining light, or lost in the shadows.

Daily Life of Human
© » KADIST

Siavash Naghshbandi

Film & Video (Film & Video)

Daily Life of Human is comprised of a fast-paced series of still images selected by the artist from ImageNet, a massive dataset of images (about 14 million) produced by BigGAN. Generative Adversarial Networks, or GANs for short, are AI (machine learning) programs capable of generating (synthesizing, not finding) high-quality images. BigGAN is trained on how to make a certain type of image and then starts producing new images like those it learned from.

At that time when everything was human
© » KADIST

Aline Baiana

Film & Video (Film & Video)

Indigenous educator and curator Sandra Benites, of the Guarani-Ñandeva people, narrates the origin myth of the bird Urutau in her native language. This nightjar stands still on a branch all day long and, at dusk, cries a low hoot resembling a human weeping. In 2013, indigenous activist José Urutau Guajajara remained on the top of a tree for 26 hours, deprived of food and water by state forces.

I am Human, Abstract Foil, No Humans IV
© » KADIST

Chris Johanson

Painting (Painting)

Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor. The works comment on subjects such as capitalism, consumerism, the art world, and therapy. The triptych I Am a Human, Abstract Foil, No Humans IV (2004) is a meditation on the cosmos.

Shameless Venus, A 20-year-old female human has ingested a mole’s brain
© » KADIST

Marguerite Humeau

Sculpture (Sculpture)

This work forms part of a project that draws upon research into the use of psychoactive substances present in animal brains during the Paleolithic period. Bolstered by research by archaeologist Bethe Hagens, the artist explores the hypothesis that prehistoric shamans consumed the psychoactive parts of animal brains in order to achieve spiritual ecstasy and that the found figurines, reproduced by Marguerite Humeau, are an archival remnant of these experiences. The so-called “Venus figurines” take the form of ambiguous female forms and despite their exaggerated gendered traits, the onus is instead upon the resemblance to the ingested animal brains that led to their production.

Somewhere Along the Black Sea in the Distant North-East, or in Libya in the Furthest South, The Amazons – The Woman and the Girls Children – Exist Just Outside of the Range of Normal Human Experience
© » KADIST

Ellen Lesperance

Painting (Painting)

Somewhere Along the Black Sea in the Distant North-East, or in Libya in the Furthest South, The Amazons – The Woman and the Girls Children – Exist Just Outside of the Range of Normal Human Experience

Action No.1
© » KADIST

Yang Guangnan

Installation (Installation)

In Action no. 1 Yang Guangnan reflects on the interiority and exteriority of human-technological experience with mechanical gestures that are semi-human and semi-machine. A hanged shirt mounted upon the artist’s machine rhythmically bounces and rotates in a way that suggests a skeletal interior.

Untitled (Figure no. 1)
© » KADIST

Oren Pinhassi

Sculpture (Sculpture)

Oren Pinhassi’s work examines the relationship between the human figure and the built environment. His hybrid sculptures, often somewhat emaciated, hover between the figurative and the architectural. In the case of The Crowd , a series of sculptures which evince architectures of control – where humans act and exert power – we find voting booths, segregation cells, institutional desks, places where bureaucratic exchange become spaces of bodily desire, complete with sexual appendages.

Itch
© » KADIST

Yang Guangnan

Film & Video (Film & Video)

Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands.

Cosmovision V - VI - VII
© » KADIST

Rometti Costales

Drawing & Print (Drawing & Print)

The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute. These are views of the Amazon forest. The photographs are cut following an optical illusion pattern called “reversible cubes” or “tumbling blocks”, based on the Necker cube, a multistable object of psychophysics that is constantly switching perspectives.

Temple Creek, a branch of Escalante River, Aquarius Plateau Utah n.d. (Stereoscopic view)
© » KADIST

Shaun O'Dell

The San Francisco–based artist Shaun O’Dell often uses natural settings as subject matter, lending an artistic complexity to the landscapes he depicts. Stereoscopic images are dual, slightly offset identical pictures that, when seen through a special viewing device, appear three-dimensional. In Temple Creek, a branch of Escalante River, Aquarius Plateau Utah n.d. (Stereoscopic view) (2011) O’Dell has chopped each of the two side-by-side images into 10 vertical strips and mixed them up, to construct a new image.

Purple Brush 8
© » KADIST

Shaun O'Dell

Painting (Painting)

Shaun O’Dell’s paintings, installations, videos, sculptures, and music explore the overlapping realities of human and natural structures. Whether abstract or figurative, they often read like hieroglyphics, in that they piece together a philosophical portrait of reality. Purple Brush 8 is a painting that details a meeting of geometric forms, and the optical play that results.

Mano con hojas
© » KADIST

Daniel Steegmann Mangrané

Installation (Installation)

In the hologram “Mano con hojas” (”Hand with Leaves”, 2013), nature is portrayed simultaneously as an interconnected system of processes and the essence of the universe. A change in the understanding of nature challenges the understanding of our own natures. The visual metaphor of the human hand enmeshed and inextricably entangled with leaves suggests that humans cannot be divorced from nature, and moreover that they are always engaging with the problematic of overtaking nature or being overtaken by it.

Tomorrow
© » KADIST

Jung Yoonsuk

Film & Video (Film & Video)

Tomorrow by Jung Yoonsuk is a two-channel video installation, observing the two different sites of factories, one in the mannequin reform factory in Seoul, Korea, and the other in a sex doll factory in Shenzhen, China. The artist’s research began in 2016 when he encountered articles, and some dystopian images, about a “retired sex doll”, a spooky, deformed dummy with big breasts, that stood in an agricultural field backdrop of a high-rise apartment complex in Chengdu, China. Jung’s work explores the factory scene, the (mostly female) workers and their labor, the doll’s artificiality, and human-like eccentricities.

Untitled (History painting)
© » KADIST

Korakrit Arunanondchai

Painting (Painting)

His untitled paintings express his concern regarding perception in abstract form. Made with bleached denim, stock images of flames and gold leaf, these works embody “human cultures as ghosts.” The gold serves as a reminder of religious paintings, and the denim as emblematic of Western capitalist waste. When describing his paintings, the artist states, “The idea of what Painting is or could be became somehow akin to the image of the earth, as seen from above, from the viewpoint of a drone or a spirit.

Butter Mountain
© » KADIST

Andrew Ekins

Sculpture (Sculpture)

Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition. The work intentionally alludes to the materiality of the human body and of the land. A stool has been consciously repurposed as a “support”, that by its nature and identity provides evidence of human presence.

Absentia
© » KADIST

Tony Oursler

Film & Video (Film & Video)

Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium. Mounted on platforms suspended in space on metal stands, the video sculpture contemplates human relationships, expressed here by shouts and murmurs, the strange and the familiar.

Zero
© » KADIST

Luiz Roque

Film & Video (Film & Video)

In Luiz Roque’s short film Zero we follow a dog moving alone onboard an aircraft that flies over a vast desert. The dog seems tranquil as if keeping up with its daily routine in an environment in which the human presence is completely absent. The disturbing image of the animal left adrift — perhaps the only remaining living being in existence — is interspersed with the shiny mirrored surface of high-tech skyscrapers emerging out of the sand, in what might have once been an oasis.

Pleasant Sensation Passing Through Flesh - 3
© » KADIST

Yang Zhenzhong

Installation (Installation)

Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall. With its cushions removed to reveal its internal mechanisms, the chair’s programmed rubbing, kneading, patting, and vibrating motions create a strange sight and soundscape. The work explores the relationship between flesh and machine as they come together through technologically simulated social behaviors, challenging normative ideas about human interaction.

Chimeric Antibodies 1 and 3
© » KADIST

Angela Su

Drawing & Print (Drawing & Print)

From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations. Yet, upon closer look, sexual organs and imagined human and plant elements start becoming recognizable, and realistic. Each intricate, large-scale drawing indeed mixes human body parts, machines and other organic constructions as they become intertwined and inseparable.

Sunday (Domingo)
© » KADIST

Rivane Neuenschwander

Film & Video (Film & Video)

In this video, a parrot chews on seeds printed with punctuation marks. A radio on the shelf in the background broadcasts the news of an unfolding football match. As the game (and video) progresses, the bird eats all of the remaining punctuation.

Los Mutantes
© » KADIST

Pedro Reyes

Installation (Installation)

Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies. As in a periodic table, animals and objects are combined with humans (male or female), providing a rational framework for the irrational products of human imagination. A Cartesian matrix such as this must follow certain rules.

Fixed Things and Flying Things the body in parts, here and there the world in parts Atlantic Lace, Balogun Market Sound man hears the wind We've passed this way before (Duck, don't stumble
© » KADIST

Wura-Natasha Ogunji

Painting (Painting)

Wura-Natasha Ogunji’s recent drawing of cutout figures on architectural tracing paper takes a statement by Leoluca Orlando, the Mayor of Palermo, as a point of departure for the work. Stating, “migration problems can and should find their solution within the affirmation of ‘freedom of movement’ as the new inalienable right of humans. No human has chosen or chooses the place where they were born.

There are veins in these lands, I
© » KADIST

Rodney McMillian

Painting (Painting)

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point. Calling up the unknown intimacies of these objects, McMillian upends their usual orientation, placing them directly on the wall to serve as paintings, rather than covers. Layering over the repurposed textiles with hardware store paint, McMillian transforms the sheets into canvases, creating abstract landscapes on top of the traces of human bodies intact in the fabric.

KEBRANTO
© » KADIST

Jonas Van and Juno B

Film & Video (Film & Video)

Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay. The mythical figure Boitatá is a protector of jungles and forests. In GuaraníBoitatá is the union of two words: Mbói (snake) and tatá (fire).

Tremble
© » KADIST

Jiang Zhi

Film & Video (Film & Video)

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens. Each person displays a different facial expression and body position such as reading a book, arms open for a hug, holding a knife, raising a fist to take an oath. Each gesture reflects some essential social aspect of everyday life: hugging is about caring, taking oath has to do with politics, reading relates to acquiring knowledge, and raising a knife indicates violence.

Xenophoria
© » KADIST

Jes Fan

Film & Video (Film & Video)

Jes Fan’s video work Xenophoria , as opposed to the term ‘xenophobia’, refers to a love of the foreign and is inspired by the name of a mysterious species of aquatic carrier shell. This creature, Xenophora pallidae, calcifies free-floating objects in the water to its spine, bringing foreign bodies into its own structure. Likewise, Xenophoria stages a delirious search for the melanin pigment – the molecule responsible for skin color – as it manifests in both human and non-human bodies.

G.S.F.C. #3
© » KADIST

Ad Minoliti

Painting (Painting)

G. S. F. C. #3 (Geometrical Sci-Fi Cyborg) belongs to a series of paintings that build upon the artist’s exploration into feminist speculative fiction and the cyborg as a creature of contemporary reality and fiction. The cyborg painting, as she calls it, is made through a smearing of human and machine in which the composition of color landscape with outlines of anthropomorphized forms is stenciled and airbrushed onto canvas, then photographed an printed onto canvas. Once this is done, Minoliti goes back over the printed canvas with paint.

Flight Rehearsals
© » KADIST

Kiran Subbaiah

Film & Video (Film & Video)

Flight Rehearsals focuses on Subbaiah’s desire to fly as a means to highlight the relationship between human ambition and limitations of the physical world. The video presents philosophical explorations of the human desire to defy gravity and time. The minimalist set of a table highlights the intention and persistence of the protagonist rather than technological innovation.

Drag
© » KADIST

Xiaoyun Chen

Film & Video (Film & Video)

In the video work Drag, a man in a dark room pulls on the end of a rope. In midst of sounds of heavy breathing, the camera presents alternating scenes of a man and the shadow of a man wearing a long, pointed hat cast against a wall. Insinuating a sinister mood, the man and the shadow struggle to control the scene through alternating tugs and releases of a rope.

Robert Zhao Renhui

Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy...

Paul McCarthy

Chris Johanson

Du Zhenjun

Rivane Neuenschwander

Yin-Ju Chen

Adrian Villar Rojas

Sun Xun

Liu Yu

Liu Yu has developed a multifaceted artistic practice that takes field documentation as its point of departure...

Shaun O'Dell

Michelle Handelman

Michelle Handelman’s video, installation, live performance, and photography works analyze the human sublime in terms of its excess and dullness, providing a sneak peek into a jewel thief’s therapy sessions or following the life of a famous drag queen who experiences her own narcissistic destruction due to her increasing fame...

Em'kal Eyongakpa

Em’kal Eyongakpa was born in Cameroon in 1981...

Angela Su

Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...

Chia-Wei Hsu

Embarking from myriad audio-visual narratives, Chia-Wei Hsu pursues imaginative interrogations of cultural contact and colonization in Asia, oftentimes amalgamating his primary narratives with non-human actors including technologies, animals, gods, environments, traditions, and material objects...

Liu Yujia

Artist Liu Yujia’s practice revolves mainly around video and photography...

Jon Rafman

Jon Rafman’s practice over the past decade has been marked by in-depth explorations of digital culture...

Prabhakar Pachpute

Prabhakar Pachpute calls attention to issues concerning land politics, industry, and labor through a multimedia practice that includes drawing, painting, sculpture, animation, and murals...

Kiran Subbaiah

Born in Sidpur and living in Bangalore, Kiran Subbaiah works in a variety of media that includes assemblage, video and internet art after initial training as a sculptor...

Alexis Smith

Corey McCorkle

Described as a ‘spatial interventionist’, Corey McCorkle is a New York-based artist and trained architect, working in photography, architectural interventions, sculpture, installations, and films...

Jiang Zhi

Oren Pinhassi

Oren Pinhass’s practice integrates architecture and sculpture in the making of fantastical forms, employing found objects as well as replicating such objects in various media...

Fredi Casco

Working with a variety of media such as drawing, painting and photography Fredi Casco frequently incorporates original documents and archives as a medium and support of his work in order to bring to light specific episodes of Paraguayan political history, particularly events that took place during the time of Alfredo Stroessner’s long dictatorship (1954 to 1989)...

Rometti Costales

Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007...

William E. Jones

Jeamin Cha

Jeamin Cha’s questions exist in the gyre between individual and social environment, stepping over conspicuous strands of relation between the two in favor of cultivating characters that dwell in the night, under-noticed or otherwise surplus figures outside of mainstream societal representation...

Tsang Kin-Wah

© » BOOOOOOOM

this quarter (02/09/2024)

Artist Spotlight: Katia Lifshin – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by artist Katia Lifshin (previously featured here )...

© » COLOSSAL

this quarter (02/09/2024)

From a satellite orbiting Earth for seven years in celebration of Robert Henry Lawrence, Jr., the first Black astronaut, to a pulsing neon human skeleton that illuminates Rosalind Franklin’s contributions to the field of science, Tavares Strachan embraces technology and experimental processes to reframe historic narratives...

© » HYPERALLERGIC

this quarter (02/06/2024)

Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...

© » BOOOOOOOM

this quarter (02/05/2024)

Illustrator Spotlight: Hoi Chan – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by Hong Kong-born illustrator Hoi Chan (previously featured here )...

© » OBSERVER

this quarter (01/31/2024)

An Interview with Artist Hannah Beerman | Observer A view of the recent Kapp Kapp exhibition...

© » ASX

about 3 months ago (01/18/2024)

Max Pinckers & Thomas Sauvin – The Future Without You – AMERICAN SUBURB X Skip to content The introduction of computers in the workplace well prefigures the advent of the internet...

© » COLOSSAL

about 4 months ago (12/18/2023)

Since the 1960s, British artist Antony Gormley has used the language of sculpture to examine relationships between human beings, nature, and the cosmos...

© » COLOSSAL

about 4 months ago (12/17/2023)

Brazilian artist Rafael Silveira supplants heads with bunches of flowers, flocks of birds, and plumes of smoke in fantastical portraits that delve into the inner workings of the human psyche...

© » THEARTNEWSPER

about 4 months ago (12/13/2023)

Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights The action, staged on International Human Rights Day, lasted 64 minutes in observance of the 64 days since the Israel-Hamas war began Hadani Ditmars 13 December 2023 Share The 10 December protest at the Canadian Museum for Human Rights Listen from Queers for Palestine - Winnipeg Palestinian solidarity groups, activists and community members marked International Human Rights Day on Sunday (10 December) by calling for an immediate ceasefire in Gaza and staging a mass “die-in”for 64 minutes at the Canadian Museum for Human Rights (CMHR) in Winnipeg...

© » ART & OBJECT

about 4 months ago (12/12/2023)

Museum of Natural History to Rectify Collection of 12,000 Human Remains | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » HYPERALLERGIC

about 4 months ago (12/07/2023)

Josiah McElheny’s Glass Art Reflects the Human Condition Skip to content Josiah McElheny, "From the Library of Future Geometries I" (2023) (all images courtesy James Cohan Gallery) For decades, Josiah McElheny has created formally stunning and technically perfect artworks, mostly of glass, in a modernist style derived from mathematical ordering systems...

© » MODERN MET ART

about 4 months ago (12/07/2023)

Artist Transforms Bicycle Chains Into Human Figures With Tethers Home / Art / Sculpture Artist Transforms Bicycle Chains Into Faceless Human Figures Tethered to the Modern World By Margherita Cole on December 7, 2023 Rather than carve sculptures from one material, Young-Deok Seo assembles his art from numerous, even hundreds, of individual pieces...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Nalini Malani — The Human Stain — Lelong & Co...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Nalini Malani — The Human Stain — Galerie Lelong & Co...

© » SOUTH CHINA MORNING POST

about 5 months ago (11/19/2023)

Should human remains be kept in museums? Artist’s work reflects original resting places | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Korean-Colombian artist Gala Porras-Kim’s work examines the relationship between human remains and the museums that house them, and how to better visually reflect the spirits’ original resting places...

© » EYE OF PHOTOGRAPHY

about 5 months ago (11/17/2023)

A la Galerie Durev, Ilion Huit cherche à observer la capacité des hommes à voir la beauté dans les interférences entre humanité et nature...

© » TATE EXHIBITIONS

about 7 months ago (09/26/2023)

Sarah Lucas | Tate Britain A British artist's brash and tender exploration of what makes us human Sarah Lucas is internationally celebrated for her bold and provocative use of materials and imagery...

© » SLASH PARIS

about 7 months ago (09/26/2023)

Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Tarek Atoui — The Drift Exhibition Mixed media Performance de Tarek Atoui lors du vernissage Tarek Atoui: Cycles in 11, à la Sharjah Art Foundation © Sharjah Art Foundation Tarek Atoui The Drift Ends in about 2 months: October 13, 2023 → January 28, 2024 Tarek Atoui presents a major monographic exhibition at IAC — Villeurbanne...

© » FRANCE24

about 7 months ago (09/19/2023)

Paris's Human Rights Wall: A new public art space in French capital - Perspective Skip to main content Paris's Human Rights Wall: A new public art space in French capital Issued on: 19/09/2023 - 12:57 Modified: 19/09/2023 - 12:59 07:17 PERSPECTIVE © FRANCE 24 By: Haxie MEYERS-BELKIN Follow This week in Paris, in conjunction with city authorities, Amnesty International is unveiling the Human Rights Wall, a new public art space whose inaugural work pays homage to six modern-day defenders of human rights around the world...

© » ARTS EQUATOR

about 18 months ago (10/25/2022)

T...

© » AMERICANSFORTHEARTS

about 19 months ago (09/23/2022)

Announcing India Carney as the 2022 National Arts & Humanities Month Ambassador | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Announcing India Carney as the 2022 National Arts & Humanities Month Ambassador Hello Guest | Login Announcing India Carney as the 2022 National Arts & Humanities Month Ambassador Friday, September 23, 2022 Americans for the Arts is thrilled to collaborate with musician India Carney as our 2022 Ambassador for National Arts & Humanities Month (NAHM)...

© » HIGH FRUCTOSE

about 52 months ago (01/16/2020)

Carrying a mystical undercurrent, Chie Shimizu’s sculptures are rooted in an exploration of "the significance of human existence.” The artist, born in Japan and based now in Queens, New York, has crafted these riveting figures over the past couple decades, moving between different scales and textural approaches....

© » HIGH FRUCTOSE

about 52 months ago (01/02/2020)

In the hands of KT Beans, a seashell takes on unsettling qualities...

© » HIGH FRUCTOSE

about 52 months ago (12/28/2019)

Matthew Grabelsky's oil paintings are at the center of a show currently running at Dorothy Circus Gallery in London...

© » HIGH FRUCTOSE

about 52 months ago (12/19/2019)

Seiran Tsuno's ghostly dresses rest above the bearer and recontextualize the human body...

© » ARTS EQUATOR

about 53 months ago (12/05/2019)

Embracing A Bigger Human Identity: “PheNoumenon” by T...

© » UNRATED

about 66 months ago (11/18/2018)

Marius Sperlich — UNRTD™ Marius Sperlich Marius Sperlich is photographer and art director based in Berlin...

© » UNRATED

about 68 months ago (09/17/2018)

Nick Mehedin — UNRTD™ Nick Mehedin Nicholas Mehedin is an artist from Lumberland, New York...

© » ARTS EQUATOR

about 70 months ago (07/19/2018)

Ai Weiwei’s "Human Flow" drips through Singapore’s impermeable borders | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 19, 2018 By Tan Jing Ling (1010 words, six-minute read) There is a sublime beauty to Human Flow in how it depicts space, freedom and movement...

© » KADIST

about 34 months ago (07/06/2021)

© » KADIST

about 34 months ago (06/25/2021)

© » KADIST

about 35 months ago (05/20/2021)

© » KADIST

about 42 months ago (10/24/2020)

© » KADIST

about 66 months ago (11/05/2018)

© » KADIST

about 67 months ago (09/29/2018)

© » KADIST

about 80 months ago (09/16/2017)

© » KADIST

about 91 months ago (10/12/2016)

© » KADIST

about 96 months ago (05/11/2016)

© » KADIST

about 98 months ago (03/23/2016)

© » KADIST

about 99 months ago (02/21/2016)

© » KADIST

about 104 months ago (10/06/2015)

© » KADIST

about 110 months ago (04/13/2015)

© » KADIST

about 133 months ago (05/04/2013)

© » KADIST
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about 145 months ago (05/19/2012)

© » KADIST

about 146 months ago (04/25/2012)

© » KADIST

about 146 months ago (04/25/2012)