Sculpture (Sculpture)

Puits (“Wells”) is a circle made ? ?of raw earth elements, at the scale of Leblon’s hands. In this work, Guillaume Leblon reclaims the tactility of clay, as a classical material of sculpture, which we can also see in his other works like Raum (2006), National Monument (2006), and Notes (2007).

Drawing & Print (Drawing & Print)

These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin. As a symbol of the past there could be none more powerful than this. By carving into its floor, Kilpper laid bare its history by making images of its occupants and political figures associated with that period of history.

Drawing & Print (Drawing & Print)

In Michel François’s work, « it is the real, physical and emotional experience that stimulates creation which is therefore highly charged with a vital force. There lies also the profoundly and clandestine figurative nature of his work » (Guillaume Désanges). Contamination is a constant in Michel François’s work.

Drawing & Print (Drawing & Print)

These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin. As a symbol of the past there could be none more powerful than this. By carving into its floor, Kilpper laid bare its history by making images of its occupants and political figures associated with that period of history.

Drawing & Print (Drawing & Print)

Soufiane Ababri’s desire to construct a historical family and a genealogy of queer kinships in Bedwork / Yes I AM sees him conjuring up a pantheon of gay writers and artists whose intellect has changed the course of human history and development, despite their outsider status. Figures as disparate as Michel Foucault, Glenn Ligon, Allen Ginsberg, Jean Genet, and André Gide populate Ababri’s drawing series in the artist’s signature naïf style, their homosexuality the thread that connects them. The series of over forty drawings are part of Bedwork, a larger project that Ababri began in 2015.

Photography (Photography)

This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio. During an interview with Hans Ulrich Obrist, the artist highlighted that he had never had a studio and that this work space blended with his apartment. A piece of string cuts across the room in a diagonal; it functions as a scale to measure time and space.