9,17 min
Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula. This bite caused various symptoms, such as nausea, difficulty to speak, delusion, excitability and agitation. The victims suffered then from convulsions and the only way to heal them was to engage in a frenzied dance, as it was believed. Called “Tarantella”, this dance, appeared during the Middle Ages and was danced all along the 19th century. To make this video, the artist asked a group of dancers to perform this uncontrolled dance in order to explore this borderline mental and physical state, close to a trance. Tarantism represents a transition in the artist’s work, who brings a story back to life simply through the movement of these completely disarticulate bodies, without referring to images extracted from reality, thus exploring a purely mental territory.
With a keen interest in the stranger corners of the long human story, and a persistent interest in the supernatural, the transcendent, and the psychedelic, Joachim Koester’s work follows the artists own undying interest in physical and psychological limits. While exploration was a matter of crossing geographies before the 19th century, the 20th century brought the mental exploration of our unconscious, hastened by the discovery of psychoanalysis. Koester is interested in visualizing specific events—those forgotten, overlooked, or suppressed by the official historical record—in order to reintroduce them into collective memory. Using 16mm documentary films, photographic series or books, his work transforms stories into images and vice versa, appearing as a quest for the invisible and the vanishing.
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...