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The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine. Punctuated by staccato sounds and fast camerawork, the protagonists’ exaggerated expressions and emphatic gestures create a high level of tension. For the artist, repetitions in the video do not attempt to level notion of “difference.” Rather repetition is antithetical to the notion of novelty within the discourse of reality, modernity, and media. As such, Same Old Crowd recalls the artists’ earlier video Beyond Geography and can also be seen as a type of anthropological theater intersecting with performance studies.
Li Ran produces video, installation, and performance-based works that examine various states of parody and simulacra in the digital world. Through performative narrative, reproduction, mimicry, and satire, Li Ran’s work straddles the line between fact and fiction in playful explorations of the meaning and making of truth. Li describes his own artwork with the language of architecture: that if an artwork is like a room, its meaning should be open and porous, not forced against a unilateral interpretation. This virtual-minded analogy is fitting, as Li’s practice increasingly hinges on the exploration of the non-reality within reality.
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
The brutal examinations of "Constellation of Violence" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Hideto Maezawa October 8, 2019 By Patricia Tobin (561 words, 4-minute read) Constellation of Violence consists of a very simple setup: a giant screen on stage, a historian, two artists and a group of individuals...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness...
The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
The working processes of artists: Tim De Cotta | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Tim De Cotta October 18, 2019 In this video, LASALLE students Nicole Kessler and Marian Saturno speak to musician Tim De Cotta on his (many) musical influences, how he talks about social issues through music and how to keep your art pure...
The working processes of artists: Raka Maitra from CHOWK | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 20, 2019 In this video, LASALLE students Ernie Martha and Raesmi Nambiar speak to Raka Maitra, founder and artistic director of CHOWK, on the practice of contemporary dance in Singapore, her roots as a classical Odissi dancer in India and the challenges CHOWK faces as a dance company...