13:00 minutes
In Centro Espacial Satelital de Colombia (Colombian Satellite Space Center) , Calderón & Piñeros (La Decanatura) play tribute to two “stunning” satellite antennas installed in the small municipality of Chocontá where, in 1970, the Space Communications Center of Colombia was inaugurated. That same year, the first antenna, responsible for the transmission (via microwave) of radio and telephone signals was put in place and eleven years later, the second antenna or Ground Station for International Communications would complete the complex known as Space Communications Center. Excursions to visit what became known as the “Satellite City of Colombia” were common for decades. Today, due to unforgiving weather, change in political interests, and the “advancement” of technology, the antennas are now relics of an all-but-forgotten technological prime. Forewarning the rapid acceleration of technological obsolescence under late-capitalism, they are in physical deterioration and their cultural allure has waned. As a performance, Centro Espacial Satelital de Colombia , is at once a tribute, a “lullaby” and a farewell to the abandoned satellite station. In the video, the Chocontá Symphonic Youth Band, whose members range from seven to fifteen (and are too young to have known the antennas in their splendor), perform an interpretation of a requiem replete with nostalgia, not so much for the antennas themselves, but rather, for a grandiose future that never came to fruition. The imposing natural landscape and gloomy weather complete the atmosphere, as the antennas appear to be slowly absorbed by the surrounding bucolic meadow. Among the trees, the obsolete antennas and children full of potential, the performance evokes a glorious past, an agonizing present, and an uncertain future.
Calderón & Piñeros (formerly La Decanatura) is a collective composed of artists Elkin Caldero? Guevara and Diego Pin?ros García, whose projects generate new approaches to art from hybrid perspectives and disciplines, questioning hegemonic forms of knowledge and power. Calderón & Piñeros mobilizes displacement and recontextualization in order to explore alternate presents and futures and to create links between memory and the ruins of the past in order to question our assumptions of reality and linear readings of history. Through the moving image and building on a “poetics of time and space”, the play with mise-en-scene to create events, places and objects that might or might not be “real”. These alternative narratives produce dislocations and alterations that lead to new readings of reality.
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...