68 min 30
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013. These videos show several participants from different backgrounds gathering to create and object or an action. For this video, he brought together five Japanese poets from different movements and styles. It is very clear and more perceptible in this project than in others of the series (amongst which hairdressers in San Francisco and potters in China are brought together), that it is difficult to leave space to the others. Considered for a long time as the symbol of ultimate creation, the composition of a poem is an extremely personal activity. Japanese society is often seen as very individualistic. Here, Tanaka presents us with the utopia of a micro community, which could be the plinth to the creation of a larger community. Documenting the production process is also a rebellious act against the result or the object itself. Incidentally, the installation is also composed of four drawing-poems, all different, without one ideal or perfect result.
Koki Tanaka is part of a generation of Japanese artists whose work responded to the economic recession and limited opportunities that beset their country in the early 2000s. Instead of creating monuments, these artists focused on everyday life, transforming the ordinary into the extraordinary by stimulating moments of perceptual awakening. Their social critique was enacted through the spectacular and unexpected combination of materials, humor, and simple actions. Working primarily with found objects and video, Tanaka’s practice reveals hidden links between object and action.
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...