86,5 x 73,5 cm
“To me, art equals responsibility”. That is probably why Alain Séchas creates works according to the human scale, immediately evoking the human body. But rather than using the human figure, he chose that of the cat: a round-eyed feline which never smiles. ” Doing cats becomes like a trap, so that we identify a lot with it (…) and all the imagery of the cat reappears: the Egyptian cat, comics, caricature etc”. Chosen as our anthropological equivalent, the cat plays various characters, often provocative, and becomes the intermediary between the artist and the viewer. More than a mere sculpture, he is a drawing with volume, a motif which endlessly changes: ” I have always said that my work was about drawing; a small drawing is as important as a large sculpture and its making is as difficult for me. » Falsely naive, the work of Alain Séchas stands out and opens our eyes, like his cat: « Forcing the viewer to see is to me the very definition of art », he says. With no complacency whatsoever. Peace and Love shows a family with children who embody some of the typical calamities of society written on their T-shirt: “murder”, “suicide”, “gore” thus criticising the values of the generation of May 1968.
Alain Séchas is an artist and cartoonist. Since the early 1980s, he has developed a highly recognizable and singular body of work composed of drawings, sculptures, videos and installations. With a desire to reflect on our human condition, our fears and frustrations, Séchas repeatedly pictures and stages anthropomorphic figures in grotesque or humorous settings. The contrast between the nature of the depicted scenes and the naïve line of his characters that recall the aesthetic of cartoons and toys is accompanied by a sense of derealization challenging the audience in their perception of art. The eccentric and irreverent quality of his work, being highly informed by the History of modern and contemporary art, is inscribed in a thoughtful gesture that aims to test the boundaries of artistic formalism.
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Political artist, painter, writer, performer, photographer, David Wojnarowicz, was one of the leading figures of the New York Downtown artistic scene of the 1980s...
Silenced Voices, Unacceptable Humor, Distasteful Desires: The Censorship of Gender and Sexuality in the Philippines | ArtsEquator Skip to content Katrina Stuart Santiago demonstrates how recent incidents of artistic censorship in the Philippines have focused on the silencing of female and LGBTQIA+ voices...
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What If Your Body Turns into a Sculpture?: Interview with Sasha Waltz on "Körper" at SIFA 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 29, 2019 By Winnie Chen Dixon (600 words, four-minute read) Have you ever imagined dancers’ bodies turning into sculptures, as if time stood still? This is the impression of Körper (Body) , the signature dance performance of this year’s edition of the Singapore International Festival of Arts...
Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? | Londonist Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? By M@ M@ Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? Image: Global Street Art If you walk down Mare Street in Hackney, you might get the feeling someone is watching you...
Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Martha Wilson — Invisible, Works on Aging (1972-2022) Exposition Photographie Martha Wilson, Beastly + Beauty, 1974 et 2009 Photographies noir et blanc, texte, 43,2 × 59,7 cm, édition de 3 © DR Martha Wilson Invisible, Works on Aging (1972-2022) Encore 7 mois : 1 juillet 2023 → 4 février 2024 Le Frac Sud — Cité de l’Art Contemporain est heureux de consacrer, après Martha Wilson in Halifax: 1972-1974 au Centre Pompidou en 2021, sa première exposition monographique d’envergure en France à Martha Wilson, figure pionnière et tutélaire des engagements féministes au travers de l’art rerprésentée par la galerie michèle Didier...
Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Nina Azoulay — Comme un rond dans un carré Exhibition Installation, sculpture Closing Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Ends in 7 days: January 11 → February 18, 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
Une Assemblée de poète.sse.s civiques — A Convening of Civic Poets — KADIST — Exhibition — Slash Paris Login Newsletter Twitter Facebook Une Assemblée de poète.sse.s civiques — A Convening of Civic Poets — KADIST — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Une Assemblée de poète.sse.s civiques — A Convening of Civic Poets Exhibition Drawing, installation, poetry Marion Scemama & David Wojnarowicz, Last Night I Took a Man, 1989 (extrait) Courtesy des artistes, collection KADIST Une Assemblée de poète.sse.s civiques A Convening of Civic Poets Ends in about 2 months: October 6, 2023 → February 4, 2024 Une assemblée de poète.sse.s civiques — Fondation Kadist La fondation Kadist présente une exposition engagée et engageante qui répond à l'énergie de son sujet, l'intervention poétique dans.....
Picture of the Day: The great wall from China | The Independent | The Independent Its simple name – "Head of an Old Man" – offers no hint of the scale or the mood of doom that so define this painting by Zeng Fanzhi, seen here standing in front of his epic work as his first solo British exhibition opens at the Gagosian Gallery in London, running until 19 January...