Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor. The works comment on subjects such as capitalism, consumerism, the art world, and therapy. The triptych I Am a Human, Abstract Foil, No Humans IV (2004) is a meditation on the cosmos. It consists of three small paintings: one of a man with a head of multicolored fragments ( I Am a Human ), one of an abstract rainbow-colored geometric form on foil ( Abstract Foil ), and one of what appears to be a brightly burning star or a representation of the Big Bang ( No Humans IV ). In a playful but serious manner, it envisions the evolution of the world and the creative forces at play in nature and humankind.
The prolific Chris Johanson produces paintings, zines, installations, and sculptures that are notable for their earnest, almost childlike abstraction. His work delves unabashedly into the emotional, social, and spiritual aspects of human nature, tracking points of commonality and difference using simple shapes and lines as well as an unflagging sense of magnanimous humor.
Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh...
Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Tomaso Binga — Corps — poésie Exposition Collage, dessin, installations, photographie Derniers Jours Tomaso Binga, Alfabetiere murale [Alphabet mural], 1976 (détail) Collage photographique sur carton, 21 éléments, 35,5 × 25,5 cm chaque Courtesy Archives Menna-Binga, galerie Tiziana Di Caro, Naples et galerie Frittelli arte contemporanea, Florence © Amedeo Benestante Tomaso Binga Corps — poésie Encore 5 jours : 16 septembre → 16 décembre 2023 Première exposition personnelle en France de Tomaso Binga (née en 1931 à Salerne, vit et travaille à Rome), artiste majeure de la scène artistique italienne depuis la fin des années 1960, « Corps — poésie » couvre sur plusieurs décennies différentes thématiques — identité et genre, critique sociale, réappropriation du langage, corps manifeste — tout en présentant des œuvres inédites...
Cakap-Cakap: Interview with Daryl Lim for Local Flavours | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles May 28, 2021 In this month’s Cakap-Cakap (chit-chat), ArtsEquator speaks with poet and critic, Daryl Lim Wei Jie, who curated the poems featured in Local Flavours , an interactive site based on the concept of food delivery mobile apps...
‘Private Jones’ musical at Signature zeroes in on a deaf sniper in World War I - The Washington Post The Washington Post Democracy Dies in Darkness Director Marshall Pailet, left, with Vincent Michael, Amelia Hensley, Erin Weaver and Johnny Link in rehearsals for “Private Jones” at Signature Theatre...
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
New exclusive Marie Lenclos Paintings available – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next I’m pleased to present new and exclusive work by London artist Marie Lenclos who has created a series of 6 new works for us...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Expand, Exchange, and Beyond: A reflection of the Asian Arts Media Roundtable 2021 at SIFA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 9, 2021 By Gladhys Elliona It was a laid-back day at the end of April, when I got the email from ArtsEquator informing me that I had gotten into the Asian Arts Media Roundtable (AAMR) at the Singapore International Festival of Arts 2021...
Burning Questions: Traditional Arts: The Forgotten COVID Casualty? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 28, 2020 While the pandemic has resulted in losses of jobs in the arts, less has been said about the fate of craftsmen, artisans and masters of intangible heritage and traditional arts...
Burning Questions: Can Critics Criticise during a Pandemic? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 5, 2020 As the work of artists evolve with the restrictions of COVID-19, do critics also need to reassess how they look at performance? Four critics, Loo Zihan, Teo Xiao Ting, Jocelyn Chng and Germaine Cheng discuss their responses as more and more performances go online, and whether it has led to a recalibration or softening of their critical eye...
Burning Questions: Tech in Performance: The Great Leveller or The Great Unequaliser? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 28, 2020 Using technology in performance isn’t new, but COVID-19 has forced more artists to explore the digital medium, dealing with lag, latency and liveness while rethinking audience engagement and accessibility...
A Portrait Revisited: 1986, 2006 - Video interview with Roderick McNicol | LensCulture Video interview A Portrait Revisited: 1986, 2006 These diptych portraits of the same person, same pose, 20 years apart, evoke the magic that is at the heart of photography and portraiture—and a short, insightful video interview with the photographer reveals more about the process behind this powerful series...