Installation (Installation)

The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery. Together the components play on the connection between aural and social relations signified by the music stands. An episodic score emanates from the work’s sound system, momentarily interrupting the atmosphere with brief eruptions of electronic sounds and vocality.

Film & Video (Film & Video)

In Muted Situations #2: Muted Lion Dance by Samson Young, Chinese lion dancers perform the auspicious procession traditionally presented at special occasions such as weddings or during the Lunar New Year. Yet, the customary percussive sound of drums and cymbals are absent. Instead, it is the sound of the performers’ physical exertion that comes to the forefront, revealing the beautiful, exhaustive rhythm of their craft—their feet hitting the ground, deep inhales and exhales, and the rustling of their clothes.

Installation (Installation)

Joe Namy’s Half Blue is an installation consisting of a video, a sound, and a sculpture, that triangulates a personal experience of the artist’s cousin Khalid Jabara, who was murdered by hate crime in Tulsa, Oklahoma, U. S. A in 2016. An event that garnered international attention, Jabara’s murder led to the Jabara-Heyer NO HATE Act passed by US Congress in 2021. The act was named after Jabara and Heather Heyer, two hate crime victims whose murders were prosecuted as hate crimes but not reported in hate crime statistics.

NFT (NFT)

Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022). Sun produced this NFT from a still image of the animation that features a drawn notation of the sign “echo” in American Sign Language. Visually the black and white image depicts two side by side mounds, one labelled ‘Hand’ and the other labelled ‘Palm’.

Sculpture (Sculpture)

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.

Film & Video (Film & Video)

“There is a tapestry of sounds around us.” – Tania Candiani Tania Candiani has long been interested in Acoustic Ecology: the study of relationships between humans and our environment mediated through sound. A poetic text by Candiani narrated by writer and MacArthur fellow Josh Kun is featured in this three-channel video, For the Animals. The artist carried out visual research for the project: scanning, sampling and borrowing from books, vintage videos and images of material that informed her process.

Film & Video (Film & Video)

In Cuba, due to the lack of materials, workers of state-owned construction companies must remain at work without doing anything, waiting for the end of the working day. Interested in this phenomenon, Adrian Melis asked the workers of a construction company to reproduce the sounds and noises characteristic of their work. The making of forty rectangular pieces for a floor construction is the recording of a “work performance” during a day from eight in the morning to five in the afternoon.

Film & Video (Film & Video)

Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection. It is the overlapping of the beautiful with the impact of military ritual and pomp. The use of the sculptural props and again sound (the ideal presentation of this work is with surround sound) create a composition as visual as it is aural.

Drawing & Print (Drawing & Print)

Pianoiss . . . issmo (Worse Finish)

Installation (Installation)

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping. Here, Kos has surrounded two twenty-five-pound blocks of ice with eight microphones that call to mind the political press conferences prevalent during the Vietnam War era when this piece was created. Zen practice values such absurdity as a way to transcend the limitations of ordinary discourse and rational thought—empirical processes at the root of all political conflicts.

Installation (Installation)

Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross. The presented photographs were selected from the New York Public Library and found in an archive called ‘Listening,’ with the sub-genres ‘town meetings,’ ‘investigation,’ ‘audiences 1960–1970’ and ‘conversation.’ Taking the photographs from the city’s archive of frozen moments of audio exchange, Arakawa and Tcherepnin give sound and movement back to past moments. In each of the photographs, people are listening in different situations—public, and private.

Film & Video (Film & Video)

In May 2014, Israeli soldiers shot and killed two teenagers, Nadeem Nawara and Mohamad Abu Daher in occupied Palestine (West Bank). Through the Forensic Architecture program, the human rights organization Defence for Children International worked with Abu Hamdan to investigate the incident. The case hinged upon an audio-ballistic analysis of the recorded gunshots to determine whether the soldiers had used rubber bullets, as they asserted, or broken the law by firing live ammunition at the two unarmed teenagers.

Installation (Installation)

For The Reverse Sessions , the artist reversed the order in which instruments are usually created, taking the sounds of a collection of ethnic musical instruments from The Dahlem Museum as the starting point. The artist used the audio recordings of live performances that he wrote and directed, to collaborate with instrument makers on imagining and building the objects that could have generated these recordings. Without involving any images, Atoui proposed to engage with sound directly — contrary to the path of ethnomusicology that studies the shape and mechanism of an instrument with an emphasis on its cultural and social context.

Installation (Installation)

Although at first the work Sounds of War presents itself with a degree of playfulness and humour, a close inspection reveals its painful undertone. The sound installation by Laetitia Sonami is comprised by a series of toilet plungers retrofitted with speakers that audiences are encouraged to engage with. As viewers interact with the modified domestic objects, placing them over their ears, a soundtrack plays audio sourced by the artist from Youtube videos, which feature the haunting voices of women and children in several war zones (Srebrenica, Darfur, Fallujah, Gaza and Iraq).

Film & Video (Film & Video)

Invalid Throne by Jakrawal Nilthamrong is a 35mm film that searches the protagonist Kamjorn Sankwan’s memory and connection with the land he grew up in. Using Nithamrong’s cinematic language of visual representations and soundscapes without narration, he highlights a non-human-centered view to meditate upon and reveal the sublime and unspoiled natural landscape ? as Nilthamrong states: “in the middle of nature where no man has claimed ownership”.

Installation (Installation)

A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space. “The Effect” employs hundreds of fragments of text culled from the internet by searching for occurrences of the title phrase. These fragments, which all address visual scenarios, were sequenced and edited to create the impression of a single text; this was recorded as a voiceover and presented in an acoustically controlled space devoid of any visual information.

Installation (Installation)

Lengüitas sagradas (Blessed Little Tongues) by Juliana Góngora is the result of a careful creative job between Juliana Góngora and the Koreguaje community and their workshop Masipai. During several months, the artist and the community leaders Juven Piranga and Yinela Piranga kept an essential communication to materialize one hundred miniature bags, knitted with cumare and containing tiger chocho and rattle seeds inside. Each ‘little tongue’ has been knitted using the colors that identify the clans that form the artisans of the Masipai group (wise people).

Performance (Performance)

Variation & Improvisation for ‘In Harmonia Progressio’ by Duto Hardono is part of a series of work that focuses on sound loops as a fundamental element of his performance – a metaphor that Hardono employs as he examines the human condition, such as time and temporal spatiality. Unlike other works, where he generates sound using analog cassette tapes, this performance uses the human voice. Participants are instructed to vocalize ‘In’, ‘Harmonia’, and ‘Progressio’ – words that make up a Latin phrase which means “progress inside harmony”.

Advanced Technology (Advanced Technology)

RE-ANIMATED by Jakob Kudsk Steensen revolves around the haunting sound of the Kauai’O’o, a bird that became extinct in the year of Steensen’s birth. Its mating call, recorded and circulated on YouTube, where it has attracted hundreds of thousands of views and thousands of comments from viewers who felt the need to share their own emotional connection with this creature. For Steensen, the video exemplifies the way in which digital media experiences can serve as a memorial for a disappearing natural world, and how they can activate deeply felt connections with nonhuman creatures.

Photography (Photography)

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface.

Photography (Photography)

Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology. The original photographs were taken during protests in France, Cirio collected these images and created an online platform containing a database of the 4000 police faces that the AI program isolated. The artist crowdsourced their identification by name and then publicly exposed the officers by printing their headshots and posting them throughout Paris.

Drawing & Print (Drawing & Print)

Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin. For the performance, Kim interviews his frequent collaborator David Michael DiGregorio and a fellow musician, Byungjun Kwon, about love songs they have composed. The performance appears spontaneous and creates a space of vulnerability and intimacy, however in reality, the three rehearsed the performance numerous times and performed it in numerous cities.

Installation (Installation)

“On April 13 a painting was lost at JFK airport while going through the security screening. On April 19 a painting was lost at CDG airport while going through the security screening. On April 20 a painting was lost at DUB airport while going through the security screening.

Film & Video (Film & Video)

Lightning 01 (2014) parodies our contemporary relationship to screen-based media and the absurdity of aestheticizing boredom. The video depicts a computer user aimlessly taking photos of himself, seemingly numb to external stimuli or intervention. Set on a loop, the video produces the illusion of an endless state of bored selfies and disaffected gazes.

Photography (Photography)

Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.

Photography (Photography)

Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon. Designed by the architect Richard Neutra, its gray glass, white expanses, and simple forms exude austerity. Luisa Lambri’s photograph Untitled (Sten-Frenke House #04) (2007)recalls the unembellished elegance of the structure while also alluding to modernist painting; the image is less a picture than an abstract expanse that conveys its own flatness.

Installation (Installation)

Peter Friedl’s projects place aesthetic questions within an expanded field that takes into account the social, political and philosophical context. This textile piece quotes and diverts a flag with a red background and the central star of the Kurdistan National Liberation Front (ERNK, a military organization linked to PKK, founded in 1985 and disbanded in 2000), and not the national flag of Kurdistan. The artist became interested as from 1994, when the town of Lice was destroyed by the Turkish army and the PKK was expelled from Germany.