Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
Dislocation Blues by Sky Hopinka is a portrait of the 2016 Standing Rock protests against the Dakota Access Pipeline in South Dakota. Working against grand narratives and myth-making, Hopinka attempts to provide a clear look towards the participants of the protest movement and the protectors of the water – their testimonies, reflections, and histories. In the film, Cleo Keahna tells about the everyday life of the camp and its difficulties and Terry Running Wild shares his dreams for the future.
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia. In the game, young men climb a wood post smeared with animal wax to collect a Panamanian flag in return for a bounty. During what is now remembered as Martyrs’ Day, Panamanian students trespassed the fence that separated the American-governed strip of land along the Panama Canal and Panama City to fly a flag and symbolically claim sovereignty over the area that had been turned over to the United States by the Hay–Bunau-Varilla Treaty in 1903.
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia. In the game, young men climb a wood post smeared with animal wax to collect a Panamanian flag in return for a bounty. During what is now remembered as Martyrs’ Day, Panamanian students trespassed the fence that separated the American-governed strip of land along the Panama Canal and Panama City to fly a flag and symbolically claim sovereignty over the area that had been turned over to the United States by the Hay–Bunau-Varilla Treaty in 1903.
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.
Of Dice and Men is a video diary-essay: in it, Didem Pekün’s daily life and political events are intertwined, just as they are in our individual realities. Displayed on two screens, the video brings us back and forth between London and Istanbul from 2011 to 2016, the two cities the artist inhabited at the time. Dice are thrown repeatedly throughout the video, each time triggering the occurrence of fleeting moments – sometimes very common, sometimes very violent.
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure. The courtroom as a space for the implementation of justice and of legal argumentation, but also through which different affective forces, some hegemonic and others marginalized, battle each other out in their respective quests for acknowledgment, accountability, and retribution. The work was produced at a time during which several popular revolts, such as in Egypt, seemed to have effectively been hijacked by reactionary forces, resulting in the violent dismissal of collective demands for emancipation, including through sham trials and wrongful convictions criminalizing activists, journalists, and protesters.
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.
Emmanuel van der Auwera visited Miami at the end of 2017 and was working on a project relating to school shootings. Two months later, on 14 February 2018, 19 year old Nicolas Cruz killed 17 people and injured 17 others in a shooting at the Marjory Stoneman Douglas High School in Parkland, Florida. Van de Auwera began to follow videos uploaded to the Periscope App, a live broadcasting channel that closed in March 2021, downloading them and creating a bank of data that would otherwise disappear, as material on Periscope was self-deleting after a short period of time.
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia. In the game, young men climb a wood post smeared with animal wax to collect a Panamanian flag in return for a bounty. During what is now remembered as Martyrs’ Day, Panamanian students trespassed the fence that separated the American-governed strip of land along the Panama Canal and Panama City to fly a flag and symbolically claim sovereignty over the area that had been turned over to the United States by the Hay–Bunau-Varilla Treaty in 1903.
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure. The courtroom as a space for the implementation of justice and of legal argumentation, but also through which different affective forces, some hegemonic and others marginalized, battle each other out in their respective quests for acknowledgment, accountability, and retribution. The work was produced at a time during which several popular revolts, such as in Egypt, seemed to have effectively been hijacked by reactionary forces, resulting in the violent dismissal of collective demands for emancipation, including through sham trials and wrongful convictions criminalizing activists, journalists, and protesters.
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology. The original photographs were taken during protests in France, Cirio collected these images and created an online platform containing a database of the 4000 police faces that the AI program isolated. The artist crowdsourced their identification by name and then publicly exposed the officers by printing their headshots and posting them throughout Paris.
Peter Friedl’s projects place aesthetic questions within an expanded field that takes into account the social, political and philosophical context. This textile piece quotes and diverts a flag with a red background and the central star of the Kurdistan National Liberation Front (ERNK, a military organization linked to PKK, founded in 1985 and disbanded in 2000), and not the national flag of Kurdistan. The artist became interested as from 1994, when the town of Lice was destroyed by the Turkish army and the PKK was expelled from Germany.
In the work We only move wehen something changes !! !, Olaf Breuning composes a portrait of posed antiglobalization protesters, each wearing clown noses, inside of a scene reminiscent of an event. Like in the work Easter Bunnies (2004) (photographs of the Moai of Easter Island with big ears and rabbit teeth supported by scaffolding) the artist introduces the outside frame into his photographic frame.
Drawing & Print (Drawing & Print)
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights. The protesters and their supporters carried signs and wore t-shirts whose messages are highlighted in the drawings. However, in them, Bowers isolates the images of the protesters from the multitude that surrounds them in the original photographs, and, therefore amplifies their messages.
Although the objects depicted in Titus Kaphar’s diptych 2016/1963 might not be immediately recognizable, the work’s title and the inscriptions ‘Alabama 1963’ and ‘North Dakota 2016’ reveal their use as tools of brutal force. The work with the inscription ‘Alabama 1963’ is a painting of the nozzle of a high-pressure water jet that the Birmingham Police used against black protesters, including children, during a non-violent campaign against racial segregation led by Martin Luther King JR. during the civil rights movement. The second painting depicts the nozzles used against protestors that in 2016 opposed the plans to build the Dakota Access pipeline near the Standing Rock Indian Reservation, many of whom were seriously hurt and left soaking wet during freezing temperatures.
Drawing & Print (Drawing & Print)
Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream . This series by artist Chitra Ganesh comprises a large-scale narrative suite inspired by a 1905 feminist utopian (eponymous) text written by a Bengali writer and social reformer, Rokeya Sakhhawat Hossain. Educated thanks to the support of her elite family, Hossain was one of the few Bengali women of her generation writing in English.
The video animation Falling Head 2 , hand-painted by Diego Marcon in 2015, consists of a close-up of a head caught on the threshold between sleep and wakefulness or maybe from wakefulness to sleep. The film is projected as a ten-second loop where the first and last frames coincide. Working mainly in video and film, Marcon is familiar with the consequences of eyestrain.
Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am. The photographic moment of a photo album which could have been taken by anybody in any familiar situation with the intention to immortalize that moment.”
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.
Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...
Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...
Mona Marzouk is an artist whose practice is deeply rooted in a keen sense for architecture...
Artist Paolo Cirio engages with legal, economic, and cultural systems of information...
Sky Hopinka is from the Ho-Chunk Nation/Pechanga Band of Luiseño Indians...
Titus Kaphar’s work is often discussed as socially and politically oriented, however, the artist describes it as a series of deeply personal responses to situations, narratives or histories...
Diego Marcon uses film, video and installation to investigate the ontology of the moving image, focusing on the relationship between reality and representation...
Olaf Breuning’s photographs, videos, performances and installations play with codes of mass production with references to publicity, fashion and cinema and “high” and “low” art...
Emmanuel van der Auwera is interested in conspiracy theories, surveillance photography and its ubiquity, giving texture to major events that are frequently smoothed out by media reporting...
Many of the projects of Peter Friedl, in their heterogeneous medium and style, function as intersection points between countless lines of thought and reference, creating a vast didactic network where dialogues simultaneously merge with critical logic and narrative...
The artistic entity “leonardogillesfleur” is the alliance between two artists, Leonardo Giacomuzzo (b...
Spanning printmaking, sculpture, and video, Chitra Ganesh’s work draws from broad-ranging material and historic reference points, including surrealism, expressionism, Hindu, Greek and Buddhist iconographies, South Asian pictorial traditions, 19th-century European portraiture and fairy tales, comic books, song lyrics, science fiction, Bollywood posters, news and media images...
A Next-Generation Lunar New Year Party in Oakland | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Food A Next-Generation Lunar New Year Party in Oakland Alan Chazaro Feb 12 Save Article Save Article Failed to save article Please try again Email Yăng Shēng, a multimedia project launched by Hanna Chen (left), aims to bring "third culture" children of immigrants from Asian diasporas together in the Bay Area...
Best and Worst Super Bowl Ads, 2024 | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint NPR Super Bowl Ads Played it Safe, but There Were Still Some Winners Eric Deggans Feb 12 Save Article Save Article Failed to save article Please try again Email Cardi B...
Beyoncé Won the Super Bowl, Dropping Two New Songs | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint NPR Beyoncé Releases Two New Songs During the Super Bowl, Teasing More to Come Rachel Treisman Feb 11 Save Article Save Article Failed to save article Please try again Email Beyoncé accepts the Best Dance/Electronic Music Album award for ‘Renaissance’ onstage during the 2023 Grammy Awards...
New electric BMW CE 02 is an eParkourer for the urban jungle | Wallpaper (Image credit: BMW Motorrad) By George Chapman published 10 February 2024 The new BMW CE 02 is the second all-electric scooter from the long-established German brand’s motorbike division, positioned as trend-setting urban transport for younger riders...
With Sway's Blessing, SF Rapper Frak Is Ready to Level Up | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture With Sway's Blessing, SF Rapper Frak Is Ready to Level Up Nastia Voynovskaya Feb 9 Save Article Save Article Failed to save article Please try again Email Frak at Billy Goat Hill in San Francisco on Feb...
SF IndieFest Is a Valentine to Movies and Movie Lovers | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List SF IndieFest Is a Valentine to Movies and Movie Lovers Michael Fox Feb 8 Save Article Save Article Failed to save article Please try again Email Steve Zahn in the SF IndieFest opening night film, 'LaRoy,' playing Feb...
A Baby Penguin Boom is Just as Cute as You Hoped | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture A Baby Penguin Boom at the Academy of Sciences is Just as Cute as You Hoped Sarah Hotchkiss Feb 9 Save Article Save Article Failed to save article Please try again Email African penguin chicks Alice and Nelson...
The Best Snacks for This Year’s Super Bowl | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Food Wings Cost Less and Beer’s Flat: Super Bowl Fans Are Expected to Splurge Scott Horsley Feb 9 Save Article Save Article Failed to save article Please try again Email Chicken wing prices have fallen for the second year in a row, in a windfall for Super Bowl snackers...
Book Review: ‘The Secret History of Bigfoot’ by John O’Connor | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Is Bigfoot Real? A New Book Dives Deep Into the Legend Gabino Iglesias Feb 9 Save Article Save Article Failed to save article Please try again Email A moment from Hulu documentary series, 'Sasquatch'...
Happy Lunar New Year! 5 Things to Know About the Year of the Dragon | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Happy Lunar New Year! 5 Things to Know About the Year of the Dragon Rae Alexandra Feb 9 Save Article Save Article Failed to save article Please try again Email The Year of the Dragon begins is upon us....
'Manahatta' to Make Bay Area Premiere | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List 'Manahatta' to Make Bay Area Premiere Nicole Gluckstern Feb 8 Save Article Save Article Failed to save article Please try again Email Shannon R...
‘The Taste of Things’ Review: A Moving Tale of Love and Food | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’ Lindsey Bahr, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Benoit Magimel and Juliette Binoche in ‘The Taste of Things.’ (Stéphanie Branchu/ IFC Films via AP) The Taste of Things should come with a warning: Audiences may be tempted to abandon work as they know it and start a beautiful, calm new life in the French countryside devoted to the culinary arts...
Black History and Love Intertwine at February Bay Area Concerts | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Black History and Love Intertwine at These February Bay Area Concerts Andrew Gilbert Feb 7 Save Article Save Article Failed to save article Please try again Email Mary Stallings performs at Keys Jazz Bistro on Feb...
The Best Late-Night Crab and Garlic Noodles in San Bruno | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Midnight Diners Some of the Bay Area’s Best Garlic Butter Crab Is Served in San Bruno After Midnight Luke Tsai Thien Pham Feb 8 Save Article Save Article Failed to save article Please try again Email The Dungeness crab and garlic noodles at San Bruno’s A-One Kitchen hold their own against any restaurant in the Bay — and they’re available until 1 a.m...
The First Known Photograph of the San Francisco Opera | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Newly Unearthed: The First Known Photograph of the San Francisco Opera Sarah Hotchkiss Feb 8 Save Article Save Article Failed to save article Please try again Email A detail from an October 1923 photograph of the San Francisco Opera company in the Civic Auditorium shows performers and family in pre-performance street clothes...
Interview: Chelsea Wolfe Talks Witchcraft and Her New Album | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Chelsea Wolfe Says Witchcraft and Sobriety Informed Her Latest Album Krysta Fauria, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Chelsea Wolfe performing in June 2022...
The 2024 Puppy Bowl: Team Fluff, Team Ruff Go Head-to-Head | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List The 20th Annual Puppy Bowl Pits Team Fluff Against Team Ruff — and Everyone Wins Mark Kennedy, Associated Press Feb 7 Save Article Save Article Failed to save article Please try again Email Some of the adorable participants in this year's Puppy Bowl...
Small Thrills, Smaller Skateboards at Fingerboarding Festival | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Small Thrills, Smaller Skateboards at Fingerboarding Festival Alan Chazaro Feb 7 Save Article Save Article Failed to save article Please try again Email Those hours spent in 8th grade Algebra class mimicking ollies with with a two-inch fingerboard? It’s all about to pay off...
A Pop-Up Black History Museum Receives $2 Million to Find a Home in Redwood City | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture A Pop-Up Black History Museum Receives $2 Million to Find a Home in Redwood City Sarah Hotchkiss Feb 6 Save Article Save Article Failed to save article Please try again Email Carolyn Hoskins, third from left, holds a ceremonial check from Senator Josh Becker (center) at the Domini Hoskins Black History Museum...
‘Lisa Frankenstein’ Review: ’80s Teen Movie Satire is Unwatchable | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Diablo Cody’s ’80s Satire ‘Lisa Frankenstein’ Lurches From Whimsy to Unwatchable Mark Kennedy, Associated Press Feb 7 Save Article Save Article Failed to save article Please try again Email Cole Sprouse and Kathryn Newton in ‘Lisa Frankenstein.’ (Michele K...
Ticket Alert: Usher Is Coming to Oakland Arena in September | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Ticket Alert: Usher Is Coming to Oakland Arena in September Sarah Hotchkiss Feb 6 Save Article Save Article Failed to save article Please try again Email Tickets for Usher’s North American tour ‘Past Present Future’ go on sale to the general public Feb...
What Jade Plants Can Tell Us About East Bay Gentrification | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture What Jade Plants Can Tell Us About East Bay Gentrification Alexis Madrigal Feb 6 Save Article Save Article Failed to save article Please try again Email As a longtime resident of the East Bay, the jade plant is a marker of 'old Bay Area.' (Alexis Madrigal/KQED) While meandering down the street the other day, I noticed: the jade plants are blooming! They have happy little flowers, white stars, tinged with pink....
Swedish-Burkinabé artist Theresa Traoré Dahlberg on bridging past and present - arts24 Skip to main content Swedish-Burkinabé artist Theresa Traoré Dahlberg on bridging past and present Issued on: 01/02/2024 - 16:02 12:13 arts24 © FRANCE 24 By: Marion CHAVAL | Yinka OYETADE | Alison SARGENT | Loïc CHALAVON | Sonia PATRICELLI With a mother from Sweden and a father from Burkina Faso, visual artist and filmmaker Theresa Traoré Dahlberg grew up with a dual perspective...
Kenya breakdancing picking up but no federation to support it - France 24 Skip to main content Kenya breakdancing picking up but no federation to support it Issued on: 02/11/2023 - 12:50 Modified: 02/11/2023 - 12:53 01:33 While breakdancing will feature in the Paris 2024 Olympics, many enthusiasts in Kenya are attracting younger generations to this urban dance popular in the 1980s...
Resistance through art: Tunisia culture world stands with Palestinians - France 24 Skip to main content Resistance through art: Tunisia culture world stands with Palestinians Issued on: 02/11/2023 - 12:38 Modified: 02/11/2023 - 12:52 01:58 Video by: Lilia BLAISE Tunisia’s Carthage Film Festival, one of the oldest African film festivals, has been cancelled...
Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Sinae Lee — Exposition personnelle Exposition Vidéo À venir Sinae Lee, J’ai besoin de la chance, vue de l’installation vidéo à la biennale de la jeune création, Houilles © Marc Domage Sinae Lee Exposition personnelle Dans 8 mois : 2 → 23 mars 2024 L’ahah #Moret est heureuse d’inviter l’artiste Sinae Lee pour une exposition personnelle du 02 mars au 23 mars 2024...
Sinae Lee — Exposition personnelle — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Sinae Lee — Exposition personnelle — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Sinae Lee — Exposition personnelle Exhibition Video Upcoming Sinae Lee, J’ai besoin de la chance, vue de l’installation vidéo à la biennale de la jeune création, Houilles © Marc Domage Sinae Lee Exposition personnelle In 8 months: March 2 → 23, 2024 L’ahah #Moret est heureuse d’inviter l’artiste Sinae Lee pour une exposition personnelle du 02 mars au 23 mars 2024...
The Louvre welcomes Renaissance masterpieces from Naples Capodimonte Museum - France 24 Skip to main content The Louvre welcomes Renaissance masterpieces from Naples Capodimonte Museum Issued on: 27/06/2023 - 17:31 Modified: 27/06/2023 - 17:38 02:24 Video by: Catherine VIETTE Follow The Louvre museum is hosting masterpieces from the Capodimonte museum in Naples, offering the world's largest exhibition devoted to the Italian Renaissance for six months, along with its own collections...
the amana collection Exhibit 02: Asako Narahashi, Rika Noguchi, Tomoko Yoneda | Exhibition | IMA ONLINE the amana collection Exhibit 02: Asako Narahashi, Rika Noguchi, Tomoko Yoneda 9 October 2018 - 16 November 2018 IMA gallery TAGS Asako Narahashi Rika Noguchi Tomoko Yoneda IMA gallery Share Tomoko Yoneda, Gandhi’s Glasses - Viewing a note written on his “Day of silence” shortly before his death, 2003 On Seeing: A photograph does not show some thing...
Peter Friedl’s projects place aesthetic questions within an expanded field that takes into account the social, political and philosophical context...
In the work We only move wehen something changes !!!, Olaf Breuning composes a portrait of posed antiglobalization protesters, each wearing clown noses, inside of a scene reminiscent of an event...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am...
Drawing & Print
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...
The video animation Falling Head 2 , hand-painted by Diego Marcon in 2015, consists of a close-up of a head caught on the threshold between sleep and wakefulness or maybe from wakefulness to sleep...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Of Dice and Men is a video diary-essay: in it, Didem Pekün’s daily life and political events are intertwined, just as they are in our individual realities...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Although the objects depicted in Titus Kaphar’s diptych 2016/1963 might not be immediately recognizable, the work’s title and the inscriptions ‘Alabama 1963’ and ‘North Dakota 2016’ reveal their use as tools of brutal force...
Dislocation Blues by Sky Hopinka is a portrait of the 2016 Standing Rock protests against the Dakota Access Pipeline in South Dakota...
Drawing & Print
Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream ...
Emmanuel van der Auwera visited Miami at the end of 2017 and was working on a project relating to school shootings...
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...