Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s. Resembling a black-mirrored box, this recent iridescent piece produces an uncanny effect in which the interior planes seem to enclose a mysterious light. Although austere in form, Bell’s works are far from simple: he uses technology like a vacuum-coating process, to accurately control the different levels of opacity and transparency on the surface of his immaculate glass works.
Drawing & Print (Drawing & Print)
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight. The blocks resemble a stone carving, or slabs of wood shaped into a simple organic composition whose overall sheen is varied through a thin layer of aluminum vapor. Yet, the real material of Bell’s piece is actually light, formed within the viewer’s eye into masses as present as stone.
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.
Drawing & Print (Drawing & Print)
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979. As with Will Rogan’s MUM series, also included in the Kadist Collection, vital information is now missing: All of all the articles and features have been removed, leaving only ten years of advertisements. In an unusual way, The White Album reminds us that this important New York-focused magazine was originally founded in 1962 in San Francisco to promote Bay Area artists before it moved to Los Angeles in the mid-1960s in search of a wider advertising base.
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second. In a way, this work both examines the construction of history and the history of the influential magazine, which was founded in 1923. In addition to the play on “time”—one of Thomson’s ongoing obsessions—this piece highlights and continues the artist’s encyclopedic impulse, also seen in The White Album (2008), to record the history of the spaces he inhabits.
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous. Thomson is referencing the lore that Nauman’s work (the first of many neons he’d make in the following years) had been inspired by a neon beer sign found in a corner-store in San Francisco that he used as his studio in the late 60s. This particular work has a self-critical subtext, as it also suggests the act of using another artist’s work, in an endless spiral of influence, is akin to a form of insanity.
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces.
Drawing & Print (Drawing & Print)
Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs. Printed on a clear surface, the work plays with ideas of obstruction and viewing, connecting spectacular natural phenomena with contemporary art making.
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures.
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history. The project began in 2005 when Fletcher visited the War Remnants Museum in Ho Chi Minh City. He was shocked by images that depicted the lasting effects of the war and the atrocities committed by the United States.
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013. These videos show several participants from different backgrounds gathering to create and object or an action. For this video, he brought together five Japanese poets from different movements and styles.
The installation Infinity and Infinity Plus One by Cao Shu is a modern fable of destruction, collective consciousness, and future memory told through the lens of a seaside hotel erected in the 1990s on an island in China. Combining 3D-rendered images and shot footage, the work travels through a seemingly-unlimited number of rooms, infinite corridors, and breathtaking viewpoints on site. Meanwhile, an official voiceover tells an absurd story about philosophy and mathematics in the form of a monologue.
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour . The images depict the gradual blowing away of a plate of flour held by Tanaka. Because his pose is static throughout the images, his presence is deemphasized and instead the viewer’s attention is drawn to the motion of the flour.
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
Vieques is an island off the mainland of Puerto Rico used by the U. S Navy and NATO forces as military testing ground as from the 1940s. Civil disobedience and active protest movements initiated by local inhabitants and an international support network led to the end of the bombings and progressive demilitarization in 2002.
This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph. Here Allora & Calzadilla condemn the worldwide threat of violence caused by the high desirability of oil and water. Caught in the light, the patterning of the two liquids in the print creates attractive rainbow-like pools, a distanced comment on pollution.
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U. S Military and NATO forces to practice military bombing exercises. In 2000, they began a collaboration with the local activists to make the campaign more visible.
Drawing & Print (Drawing & Print)
Intermission (Halloween Iraq IV) is a large print that depicts U. S. soldiers in Iraq celebrating Halloween. They ride donkeys—apparently playing polo—while wearing masks that simultaneously familiarize the soldiers, through the recognition of a common holiday, and distance them, through the obscuring of their faces. Its means of reproduction—a woodblock print—further amplifies the distance between the event and its presentation, as well as the engagement of the artists.
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways. The video begins with the pedestrian traversing a seemingly idyllic ivy lined stone and concrete thoroughfare. As his pace begins to accelerate, the camera follows him with greater urgency, slowly settling and become stable again as his pace decelerates.
Drawing & Print (Drawing & Print)
Jet Folder & Data Tree (2013) offers a humorous take on how computer and screen-based technologies affect our relationship to the natural world. In a statement through his gallery, Gallery Yang, Lin remarks that “one day in 2010, I discovered that the folders in my computer began talking to me. So I created lots of empty folders with no content but name.” Lin’s print, by extension, functions as a collage in which screen-based media becomes part of the natural world, and vice versa.
For her telephone sound composition Dial Tone Drone, Aura Satz commissioned a conversation between two old friends, the sound pioneers Pauline Oliveros (1932-2016) and Laurie Spiegel (born 1945). Carried out via iPhone and Skype and prompted by a series of questions from Satz, the pair congenially discuss aspects of drone sounds, which for years have been an important component of their unconventional electronic work, both audio and video. Their interest in drone sounds and use of sustained or repeated sounds, notes, or tone-clusters aligned with Satz’s own interest in alert signals, and the latter’s attempt to forge a new understanding of hypervigilance and emergency through sound as a perceptual trigger of high alert.
Erin Shirreff’s A. P. series of prints investigates how objects are “constructed” at the level of the image. For each composite photograph, Shirreff fabricates two sculptural forms from what appear to be metal or plaster, although the precise materials are unidentified. Her sculptures resemble miniature architectural models or renderings of buildings as-yet-to-be fully conceptualized, both elemental and elegant in their use of sharp angles and clean lines.
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
Lightning 01 (2014) parodies our contemporary relationship to screen-based media and the absurdity of aestheticizing boredom. The video depicts a computer user aimlessly taking photos of himself, seemingly numb to external stimuli or intervention. Set on a loop, the video produces the illusion of an endless state of bored selfies and disaffected gazes.
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U. S Military and NATO forces to practice military bombing exercises. In 2000, they began a collaboration with the local activists to make the campaign more visible.
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life. He does not try to capture a particular moment, but rather the simultaneously changes that occur before him in time, exploring the nuances of light and reflections and recording movements in his apartment, his dog’s behavior and reactions, the way his plant change over time, all in an attempt to find a visual expression of his cognitive experience. Doodood and John are the names of his dog and the plant.
Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla...
Spanning photography, painting, installation, as well as behavior and performance art, Hong Hao’s artistic exploration is informed by the many cultural, political, and economic shifts in his lifetime...
Guan Xiao is known for her videos composed primarily of found images and videos and her sculptures that explore the logic by which things relate to one another...
Lin Ke’s video and media-based installations explore how perceptual experiences of our surrounding environments are mediated and altered by various technologies...
Since 1998, through site specific works, often in public spaces, or video works, Dennis Adams focuses on ambiguous characters, condemned by our recent history, revealing traumas or collective amnesia phenomena...
Working as an artist, writer and curator, Pu Yingwei’s practice addresses key issues of our contemporary world linked to collective memory, personal history, utopia, identity, and geopolitics...
Bontaro Dokuyama became an artist after the triple disaster of March 2011 that irrevocably damaged his hometown of Fukushima, “sensing that everything that had been taught to him was a lie.” Previously working as an architect, he then started his artistic practice under a new name in order to underline the beginning of this new life...
Yogesh Barve (b...
Li Xiaofei initiated Assembly Line in 2010, an ongoing project that records industrialized social change not only China, but as it occurs internationally...
American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...
Jordan Kantor’s artworks explore relationships between painting and photographic mediums...
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Eduardo Navarro explores possible points of convergence between art and science, allocating special attention to the possibility of dialogue between natural forces and species...
Lenka Clayton and Phillip Andrew Lewis’s collaborative practice is social at its core: it engages with and connects communities outside of the so-called art world in both production and presentation...
CAMP is an artistic collective that started working as a group in 2007, initially consisting of Shaina Anand (filmmaker and artist), Sanjay Bhangar (software programmer) and Ashok Sukumaran (architect and artist)...
Edith Dekyndt’s work observes, identifies, and transforms the performative phenomenology of ordinary materials, objects, and gestures...
Cao Shu’s works span three-dimensional digital moving images, sound installation, and interactive games...
Through moving image and video installations, Yim Sui Fong’s practice is primarily focused on her interest in performativity; how an individual or collective body navigates the lines of social mobility in an increasingly controlled public sphere...
Vija Celmins | Hatton Gallery See the work of Latvian-American artist Vija Celmins at the Hatton Gallery, Newcastle ARTIST ROOMS Vija Celmins takes an in-depth look at the artist’s works on paper...
Artist Spotlight: Katia Lifshin – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by artist Katia Lifshin (previously featured here )...
Aesthetica Magazine - When Forms Come Alive: 5 Must-See Sculptures When Forms Come Alive: 5 Must-See Sculptures Hayward Gallery’s When Forms Come Alive is a lively and playful exhibition that presents different facets of sculptures...
Aesthetica Magazine - Exploring Light with Squidsoup Exploring Light with Squidsoup This year, Battersea Power Station’s annual Light Festival returns to brighten up the riverside in London...
13 artists at Art Rotterdam Skip to content By Paul Carey-Kent • 2 February 2024 Share — This year marks the 25 th anniversary of Art Rotterdam (1-4 Feb), and the last before it moves from the iconic Van Nellefabriek ex-factory, an architectural classic, to a bigger and more central site...
Press Release: Art21 to Release First Film of 2024: “Lawrence Abu Hamdan: Politics of Listening” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 15:03 Add to watchlist Politics of Listening Lawrence Abu Hamdan Extended Play February 7, 2024 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Clémentine Adou — Xmas Exhibition Installation, sound - music, mixed media, video Clémentine Adou, Red nose, red dot, 2023 Red nose, motor — 5 × 5 × 5 cm Clémentine Adou & Tonus, Paris Clémentine Adou Xmas Ends in 21 days: January 26 → March 3, 2024 “Movement is not material...
Alfredo Aceto "3" Hua International / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Brazilian artist Rafael Silveira supplants heads with bunches of flowers, flocks of birds, and plumes of smoke in fantastical portraits that delve into the inner workings of the human psyche...
Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...
French artist’s sea-life sculptures amaze and terrify in Hong Kong exhibition at Tai Kwun | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more French artist Jean-Marie Appriou with some of his sea-life sculptures at his exhibition “Magnetic” at Tai Kwun, Hong Kong...
“Miami English” Phrases to Know During Art Week Skip to content Still from “Shit Miami Girls Say” by Aimee Carrero, Michelle Sicars, and Giancarlo Sabogal (screenshot via Youtube , courtesy Michelle Sicars ) I grew up speaking Miami English, but I didn’t know it...
The Best Art I Saw in 2023 | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture The Best Art I Saw in 2023 Sarah Hotchkiss Dec 5 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link It’s that time again — time for a hyper-specific superlative-laden list of the best art experiences I had this year but didn’t get a chance to write about...
5 Museum Exhibitions to See in Miami During Art Basel - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of "Hernan Bas: The Conceptualists" at the Bass Museum of Art, Miami Beach...
Code switching: How Fotomsuseum Winterthur became digital-first - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW With the physical space closed for renovation, Fotomuseum Winterthur’s digital curator reveals how ASMR livestreams and ‘sludge content’ are keeping online momentum high Marco De Mutiis, digital curator at Fotomuseum Winterthur, wants the photography world to “stop whining”...
5 Artists on Our Radar in December 2023 | Artsy Skip to Main Content Advertisement Art 5 Artists on Our Radar in December 2023 Artsy Editorial Dec 1, 2023 2:00PM “Artists on Our Radar” is a monthly series focused on five artists who have our attention...
Art review: Larry Groff at Prince Street Gallery | Painters' Table Images only Larry Groff, Will be Wild, 2022, oil on linen, 36 × 52 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Nap Dream, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Gracias a la vida, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, My French Defense, 2023, oil on linen mounted on panel, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Unbroken Circle, 2023, oil on linen, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Circling the Square, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff: Flipped Prince Street Gallery, New York October 3 – 28, 2023 A lot is happening in Larry’s Groff’s recent paintings...
Whales, From Above - The New York Times Travel | Whales, From Above https://www.nytimes.com/2023/09/15/travel/hamptons-whales-sharks.html Share full article 367 A humpback whale breaching off the coast of East Hampton, N...
BOMB Magazine | Jenna Sutela Interviewed Necessary (Required) Cookies that the site cannot function properly without...
Endless Forms Most Beautiful - Photographs by Janelle Lynch | Essay by Joanna L...
Szymon Szewczyk, Tears in My Eyes - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Szymon Szewczyk Szymon Szewczyk, Tears in My Eyes June 25, 2022 Szymon Szewczyk | Tears in My Eyes Opening: Saturday, June 25th, 2022, 4pm – 8pm June 25th – August 20th, 2022 Curator: Katarzyna Krysiak The exhibition will include works made with polymer mass using the intarsia technique, which Szymon Szewczyk has been implementing in his art for many years The intarsias will show dancing characters, bodies in motion, some more simplified than others...
Dalam Southeast Asia: At Home in the World | ArtsEquator Skip to content Alex Foo reviews the exhibition The Tailors and the Mannequins , featuring works by Singaporean artist Chen Cheng Mei and Cambodian artist You Khin...
ArtsEquator’s Top 10 Picks of TPAM 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Hideto Maezawa January 17, 2020 The Performing Arts Meeting in Yokohama will focus on dance and physical expression this year...
the amana collection Exhibit 04: Ryudai Takano, Nao Tsuda | Exhibition | IMA ONLINE the amana collection Exhibit 04: Ryudai Takano, Nao Tsuda 2 September 2019 - 30 September 2019 IMA gallery TAGS Ryudai Takano Nao Tsuda IMA gallery Share 12.02.27.#36bw, Photo-Graph, 2012 © Ryudai Takano, Courtesy of Yumiko Chiba Associates On exhibit are two bodies of work by Ryudai Takano...
Weekly Picks: Indonesia (25 - 31 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 25, 2019 Top Picks of Indonesia art events in Bali and Jakarta from 25-31 March 2019 The Littletalks in Ubud, Bali is holding a watercolor exhibition on Calonarang ...
The following essay is the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015)...
Weekly Picks: Singapore (2 - 8 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore July 2, 2018 PRESS GANG by Wild Rice 5 – 15 July 2018 Press Gang is a play presented by Wild Rice as part of the Singapore Theatre Festival...
Dragoș Bădiță - Light Falls - The re:art Dragoș Bădiță – Light Falls From February 3rd to March 17th, 2017, Anca Poterașu Gallery presented the solo show Light Falls by Cluj-Napoca based artist Dragoș Bădiță, who is also co-coordinator of Lateral ArtSpace ...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
Drawing & Print
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
Drawing & Print
Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s...
Drawing & Print
On a piece of paper, the artist has traced two loops in black crayon and placed two eyes where the lines intersect...
His series, The Golden State, harkens back to his early career and his photographic training...
Drawing & Print
Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s...
Drawing & Print
Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s...
Observing the sky after 11 September 2001, Dennis Adams photographed elements which had been lifted by drafts and were floating above the city of New York...
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
The video Make down is a 34 minute sequence shot that shows the artist removing make-up in front of a mirror...
It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops...
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Drawing & Print
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
Drawing & Print
Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Drawing & Print
Intermission (Halloween Iraq IV) is a large print that depicts U...
Edith Dekyndt looks at the waters of the Dead Sea, that become almost an abstract undersea landscape...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
Ana Roldán’s Displacements works use images taken from a 1970s exhibition catalogue for an exhibition called The Death in Mexico...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Drawing & Print
Jet Folder & Data Tree (2013) offers a humorous take on how computer and screen-based technologies affect our relationship to the natural world...
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...
Global? 1 & 2 documents an annual event during which people of a particular religious group gather around Jejuri in Maharashtra, India...
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
In Over There, Bontaro Dokuyama conducted a series of workshops with various people who had been forced to relocate in temporary housing after the Fukushima accident...
In Greek mythology, Arachne was a talented mortal weaver who challenged Athena, goddess of wisdom and crafts, to a weaving contest; this hubris resulted in her being transformed into a spider...
Drawing & Print
Agnieszka Kurant’s Placebo VIII brings together a series of imaginary pharmaceuticals invented within the fictional narratives of literature and film...
He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
In the nine-channel video installation, Against Step by Yim Sui Fong, a phantasmagorical image of a male dancer appears on a large-scale video projected on a floating retro-projection screen...
ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China...
While most of Ashmina Ranjit’s work has been large-scale installations, often immersive and site-specific, the series Hair Warp – Travel Through Strand of Universe is a brilliant concentration of both her beliefs and aesthetic...
The installation Breathspace by Eduardo Navarro encompasses all the content presented at the artist’s first solo exhibition, of the same name, at Gasworks, UK...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...