Sculpture (Sculpture)

Oren Pinhassi’s work examines the relationship between the human figure and the built environment. His hybrid sculptures, often somewhat emaciated, hover between the figurative and the architectural. In the case of The Crowd , a series of sculptures which evince architectures of control – where humans act and exert power – we find voting booths, segregation cells, institutional desks, places where bureaucratic exchange become spaces of bodily desire, complete with sexual appendages.

Photography (Photography)

Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium.

Installation (Installation)

The average human has approximately 2 squared meters of skin. Deployed in space, suspended by small gold-plated chains, this skin is a recording tissue, a sensitive surface. The work is a result of a series of experiments with silicone and surfaces on which the artist transfers images.

Film & Video (Film & Video)

Landscape for fire is a major work by Anthony McCall. The film recounts a performance where characters in white, light up fires in a very orchestrated choreography of lights in a vast flat landscape. The performance is carefully planned – the fires are lit and geometrically aligned in a precise temporal progression.