A Ripe Volcano , a collaboration with Yasuhiro Morinaga, revisits two sites of violence and aggression in Thailand’s recent past: The Rattanakosin Hotel, the site where the military troops captured and tortured the civilians, students and protestors who were hiding inside the hotel during the Black May of 1992; and Ratchadamnoen Stadium, a Roman amphitheater-style Muay Thai boxing arena, which was built in 1941-45 during the Second World War and since then has become the theatrical labyrinth for more acculturated and commercially “acceptable” displays of bloodshed. The work builds around the recollections of human experiences that took place within these spaces and shifts through the mental space distilled from the possessed memory of wounded time. Within the medium of the multi-channel video/ sound installation, Sakpisit and Morinaga create dreamlike variations sprawling through darkened room where the haunting images and ambient sounds float through the space, creating an exquisitely hypnotizing experience.
Shot on 35mm in two simply framed shots, Jazmín López’s Juego Vivo captures children at play, mixing imagination, reality, innocence, and violence. Set within a lush, green forest, we see first several children come into the frame, walking towards us, as a disembodied voice counts off “Tres…cuatro…cinco…” A game of hide and seek is at hand, and sounds of the girl counting are met with scattering children. In the first shot, while everyone else disperses, one boy advances steadily toward the camera, holding a scavenged stick in his hands, wielding it like a gun.
Taiki Sakpisit is a filmmaker and media-based artist whose work explores depictions of violence and unease that emerged from the political upheaval in Thailand from the late 1980s to the present day...
Shot on 35mm in two simply framed shots, Jazmín López’s Juego Vivo captures children at play, mixing imagination, reality, innocence, and violence...
A Ripe Volcano , a collaboration with Yasuhiro Morinaga, revisits two sites of violence and aggression in Thailand’s recent past: The Rattanakosin Hotel, the site where the military troops captured and tortured the civilians, students and protestors who were hiding inside the hotel during the Black May of 1992; and Ratchadamnoen Stadium, a Roman amphitheater-style Muay Thai boxing arena, which was built in 1941-45 during the Second World War and since then has become the theatrical labyrinth for more acculturated and commercially “acceptable” displays of bloodshed...