Yoshinori Niwa’s investigation into the monetary system and material goods is witnessed across a range of his works. As the title of this work indicates, Niwa visits several currency exchanges in the market in Istanbul and proceeds to continually exchange from one currency into another until he has no money left, going against the grain of the economy. The laborious act of exchanging the currency back and forth does not create any profit.
Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band. Here, Martinez uses these various currencies to gesture towards questions of capital and value, the accumulation of wealth, and regional economies. Beneath the surface of her playful visual propositions, Martinez asks us to consider not only the monetary costs of international goods, but also the real, human consequences of a global economic culture that privileges some and devastates others.
The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.
Yoshinori Niwa’s practice takes the form of social interventions, executed through performance, video and installation...
Yoshinori Niwa’s investigation into the monetary system and material goods is witnessed across a range of his works...
Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...