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theme: utopia.n.02



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The Tower - Concrete Utopia / TheTower, 7th street, Quartier industriel, municipality of Limete. Kinshasa
© » KADIST

Sammy Baloji

Film & Video (Film & Video)

Part-skyscraper, part-pyramid, part-citadel, this unfinished and ragged twelve-story building stands, incongruously, among the industrial environment of Limete. Towering above this desultory landscape and defying gravitational laws and urban zoning rules, this uncommon architectural proposition forms one of the strangest and most enigmatic landmarks of the city. A giant question mark, it begs for profound reflection on the nature of the city, the heritage of its colonial modernist architecture, the dystopian nature of its infrastructure, and the capacity for utopian urban dreams and lines of flight that it nonetheless continues to generate.

Untitled (Monks)
© » KADIST

Ciprian Muresan

Film & Video (Film & Video)

Ciprian Muresan asked a group of protagonists to wear a monk’s robe and copy a certain number of artworks and texts from exhibition catalogues. Here it is no longer the Bible that is reproduced but works by Malevich, Mondrian, Beuys, Duchamp. These artists represent a certain form of utopia in art and are themselves quasi-mythical figures.

Silberhöhe
© » KADIST

Clemens von Wedemeyer

Film & Video (Film & Video)

Silberhöhe , directed at Halle, located in the former GDR (German Democratic Republic), is the name of a neighborhood on the outskirts of the city, which was built in the 70’s and could accommodate more 40,000 people. The opening of the film presents us with a dramatic process that transforms the documentary image. The lack of human presence makes creates a strange atmosphere in the film.

Lifesize Draft
© » KADIST

Szabolcs Kisspál

Installation (Installation)

Lifesize Draft is the second of two sculptures on a similar theme, the first one being Utopia Battery, (2008). The latter is also in an edition of 3, one of which is in the collection of the Ludwig Muzeum, Budapest. Although Lifesize Draft was made after Utopia Battery, Kisspal conceived it more or less at the same time and sees the two works as closely related.

Meat Growers: A Love Story
© » KADIST

Rindon Johnson

Advanced Technology (Advanced Technology)

The VR play Meat Growers: A Love Story by Rindon Johnson centers on two meat growers who work together in a meat processing factory in the year 2100. The setting is a post-Green New Deal Napa Valley where there are no more paved roads, trees abound, and all the strip malls have been turned into food forests and meat growing plants. The protagonists seem to move through their day automatically, yearning for each other, as the viewer acts as a friend and confidant, silently bearing witness to their desire.

Universal Futurological Question Mark (U.F.O)
© » KADIST

Julius Koller

Photography (Photography)

This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created. His “Anti-Happenings” turned mundane events into ‘cultural’ and ‘subjective’ situations. He sought to create new cultural situations that weren’t new art, but rather new ways of living: a new creativity for a new humanistic culture.

Sultana's Dream
© » KADIST

Chitra Ganesh

Drawing & Print (Drawing & Print)

Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream . This series by artist Chitra Ganesh comprises a large-scale narrative suite inspired by a 1905 feminist utopian (eponymous) text written by a Bengali writer and social reformer, Rokeya Sakhhawat Hossain. Educated thanks to the support of her elite family, Hossain was one of the few Bengali women of her generation writing in English.

They Were Here
© » KADIST

Elisheva Biernoff

Installation (Installation)

In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs. Although the imagery present in her work might seem nostalgic upon first encounter, Biernoff’s complex tableaux often reveal the artist’s skeptical look towards her subjects matters. They Were Here (2010), constitutes a clear example.

RMB City: A Second Life City Planning 04
© » KADIST

Cao Fei

Photography (Photography)

Since 2007, Cao Fei has radically focused her work on Second Life, an online space that virtually mimics “the real world” and includes everything from the expression of ideas to economic investment. Referring to China’s modernization and its capitalist and utopic visions, RMB City explores the ways in which global communication impacts imagination, values, and ways of life. By appropriating virtual reality, Cao Fei opens up a new frontier in the field of art production that surpasses conventional materiality and invites collaboration and exchanges with her public and clients.

Cao Fei

Julius Koller

Clemens von Wedemeyer

Ciprian Muresan

Ciprian Muresan appropriates historical, political, social and cultural (essentially artistic, literary and cinematographic) references which he re-contextualizes...

Rindon Johnson

Rindon Johnson’s work in sculpture, video, poetry, and virtual reality deals with technologies that enable captivity and the harnessing and transformation of nature from a gender- and race-critical perspective...

Elisheva Biernoff

Chitra Ganesh

Spanning printmaking, sculpture, and video, Chitra Ganesh’s work draws from broad-ranging material and historic reference points, including surrealism, expressionism, Hindu, Greek and Buddhist iconographies, South Asian pictorial traditions, 19th-century European portraiture and fairy tales, comic books, song lyrics, science fiction, Bollywood posters, news and media images...

Sammy Baloji

Sammy Baloji explores the cultural, architectural and industrial heritage of the Katanga region in Congo...