A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community. An important town during the colonial era as the main port on the Magdalena River, Honda is presently rife with poverty, unemployment, and environmental deterioration. Here he produced the work Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks) , a variable arrangement of cut glasses in front of a mirror so that they appear whole.
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969. This article, which is the only trace of his work, is indicative of a lack of interest by Neuestern to leave his name in history; to “defend an artistic activity that has little or no interest to last.” Oscar Neuestern could only remember the previous 24 hours, of which his life and his work are in constant erasure and reconstruction. His practice was “to let things be done with time and the unconscious,” while “not fearing the void.” He looked for the absolute through transparency and symmetry.