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Suspensión I
© » KADIST

Adrían Balseca

Film & Video (Film & Video)

Adrian Balseca’s Suspensión I inverts the logic of the old colonial game, the greasy pole. Digitally filmed in the Province of Morona Santiago among the last existing community at the entrance of the Sangay National Park, a native girl climbs a balsa tree trunk from which plastic containers filled with “local” fossil fuels hang (super, extra, eco-país, gasoline, diesel, etc.). The trunk – which is lightweight quality wood, typical of the subtropical jungle of Ecuador -– has been cut down and suspended vertically and the trophies of modern progress hang from it.

Grabador Fantasma (Phantom Recorder)
© » KADIST

Adrían Balseca

Film & Video (Film & Video)

The project Grabador Fantasma (Phantom Recorder) consists of a communally constructed technological device in Sarayaku ancestral territory. Adrian Balseca’s site-specific composition is an “ecología del paisaje sonoro”, an artifact that collects sounds produced by different organisms, amplifying the complex historical plot of the area. From a traditional Sarayaku Peracian Dacryodes Copal wood barge with a solar cell panel system, an electric motor, a gramophone, and a recording system wireless audio, the specific characteristics of the soundscape are registered and transformed.

Pendulum
© » KADIST

Corey McCorkle

Installation (Installation)

Corey McCorkle’s 2016 installation Pendulum is developed around the Cavendish family and their role in importing bananas to Europe. Cavendish bananas were named after William Cavendish, the 6th Duke of Devonshire. In 1834, Cavendish received a shipment of bananas from Mauritius, and developed these bananas in the greenhouses of Chatsworth House with his gardener Sir Joseph Paxton, and were later given to missionary John Williams to take to Samoa.

National Landscape (House of Services)
© » KADIST

Nikita Kadan

Drawing & Print (Drawing & Print)

East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’. This region, in conflict since spring 2014, is where most of the charcoal is extracted. It is with this same coal that artist Nikita Kadan realizes this drawing in 2018, representing a field on which is juxtaposed a small photograph.

Bab Sebta (Ceuta’s Gate)
© » KADIST

Randa Maroufi

Film & Video (Film & Video)

Randa Maroufi’s Bab Sebta , is named after a Spanish enclave in Morocco, Ceuta. The film is a portrait of the ‘doorway to Europe’, a place where a murky economy of semi legal exchanges take place across a border anomaly. The border is represented by painted lines across the tarmac, as innocent as playground markings but with far greater consequences.

Controlled Incidents #2
© » KADIST

Nikita Kadan

Drawing & Print (Drawing & Print)

Ukraine is under tension due to the politics of President lanoukovitch since 2010. Numerous passive demonstrations against the government have led to numerous police repression of the protestors. The demonstration ‘Euromaïdan’ in 2013 is a perfect example.

Grain par Grain…
© » KADIST

Julien Creuzet

Sculpture (Sculpture)

Full title of the work: Grain par Grain, sur le parterre humide et fissuré. Érosion sévère, graine, ma cote. Où est la manne, semence de l’antiquité.

These Days
© » KADIST

David Maljkovic

Film & Video (Film & Video)

This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito. Tito created the fair to signify the exemplary economic exchange between the East and West. The film’s setting takes place at the Italian pavilion, where several young people are seen sitting in cars, trying to repeat sentences in English.

Untitled (Tobacco Barrel)
© » KADIST

Nadia Myre

Sculpture (Sculpture)

First exhibited as part of the recent multidisciplinary project Code Switching and Other Work , at Art Mûr, Berlin in late 2018, Nadia Myre’s Untitled (Tobacco Barrel) takes inspiration from the cylindrical vessels used to import tobacco from North America to Europe during periods of early colonial settlement. Responding to the history of clay pipe production in the ports of London, Bristol, and Glasgow by weaving together the literal detritus of the colonial tobacco trade, Myre’s work poetically untangles material links between the British Empire, Canada, and Indigenous peoples. Following contact with the so-called New World in the 1600s, the growing popularity of tobacco use in Europe led to the design and widespread manufacturing of disposable, pre-stuffed clay tobacco pipes in Britain.

Controlled Incidents #1
© » KADIST

Nikita Kadan

Drawing & Print (Drawing & Print)

Ukraine is under tension due to the politics of President lanoukovitch since 2010. Numerous passive demonstrations against the government have led to numerous police repression of the protestors. The demonstration ‘Euromaïdan’ in 2013 is a perfect example.

Nikita Kadan

Trained in large-scale painting, Nikita Kadan’s artistic practice encompasses installation, graphics, painting, wall drawing, and urban postering, sometimes in collaboration with architects, human rights activists, and sociologists...

David Maljkovic

Nadia Myre

The work of Nadia Myre, member of the Kitigan Zibi Anishinabeg First Nation, is notable for its embrace of cross-cultural mediations as a strategy towards celebrating and reclaiming the far-reaching intellectual and aesthetic contributions of Indigenous communities...

Julien Creuzet

The work of Julien Creuzet reveals painful stories – both personal and political – making it impossible separate one from the other...

Corey McCorkle

Described as a ‘spatial interventionist’, Corey McCorkle is a New York-based artist and trained architect, working in photography, architectural interventions, sculpture, installations, and films...

Taroop & Glabel

Tarrop & Galbel is a group of artists working together since 1993 and whose main objective see to challenge the more prevalent social values...

Randa Maroufi

Randa Maroufi works with video, photography, installation and performance, growing up among a society dominated by images, she is as critical and as skeptical of them as she is attracted to them...