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about 11 months ago (02/12/2024)
‘Private Jones’ musical at Signature zeroes in on a deaf sniper in World War I - The Washington Post The Washington Post Democracy Dies in Darkness Director Marshall Pailet, left, with Vincent Michael, Amelia Hensley, Erin Weaver and Johnny Link in rehearsals for “Private Jones” at Signature Theatre...
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about 11 months ago (02/12/2024)
Ralph Fiennes: West End theatre prices 'worryingly high' Home News Israel-Gaza War War in Ukraine World Africa Asia China India Australia Europe Latin America Middle East US & Canada UK England N...
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about 11 months ago (02/12/2024)
Warwick Theatre fire was major blow, leaders say...
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about 26 months ago (11/21/2022)
Memori Menonton "Two Lines In a Square": Penjara Bahasa dan Sang Tahanan Bebas Separa | ArtsEquator Skip to content Azrin Fauzi mengulas "Two Lines in A Square", persembahan yang dilancar di Taipei dan Kuala Lumpur dari dua perspektif berbeza...
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about 26 months ago (11/16/2022)
Chair Stories | ArtsEquator Skip to content In this visual essay, puppet maker and designer Daniel Sim, begins with a set of rejected stage chairs, and ends up on a lyrical journey through Singapore's theatre history...
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about 26 months ago (11/10/2022)
Make Hantus Great Again: Breaking Bread With the Undead | ArtsEquator Skip to content "Make Hantus Great Again", Teatre Ekamatra's latest production, combines kooky supernatural characters with social commentary this Halloween...
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about 26 months ago (11/08/2022)
Isabella Chiam: Cultivating Risks | ArtsEquator Skip to content SMU students Caitlin Leong and Joy Lo interview Isabella Chiam about her gardening workshop, 'The Last Gardener', gaining insights into the risks and challenges that artists face in the creative sector...
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about 27 months ago (10/06/2022)
Ghaib: Can the Unheard Speak? | ArtsEquator Skip to content Faisal Tehrani’s 'Ghaib', a complex portrayal of family, agency and voice, contends that real emancipation is still elusive in our society...
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about 28 months ago (09/15/2022)
Berak: Letting it Go | ArtsEquator Skip to content Naeem Kapadia reviews ‘Berak' by Singapore's Teater Ekamatra and comes away moved by the sensitive trancreation of the original play by Chong Tze Chien...
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about 29 months ago (08/30/2022)
Reconsidering the Commandments with Wild Rice’s Animal Farm (2022) | ArtsEquator Skip to content In Wild Rice’s restaging of Animal Farm, Rebecca G finds a production that leavens the darker aspects of the text by drawing out the absurdities of the narrative...
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about 29 months ago (08/04/2022)
A Gap in the Telling: Review of Virgin Labfest 17 | ArtsEquator Skip to content While acknowledging the value of art in addressing national trauma, Pristine de Leon raises questions about the limits, and ethics of representation on stage...
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about 30 months ago (07/13/2022)
Parastoo Theatre: Art, Refuge, Action | ArtsEquator Skip to content The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas, is creating a practice that enriches the cultural landscape for all Malaysians...
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about 30 months ago (07/04/2022)
“What if we do it this way?”: Imagining new Possibilities with Producers SG | ArtsEquator Skip to content With change and transformation being an agenda for the past two years, we talk to Producers SG and uncover how they plan to accommodate the shifts in the art world...
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about 32 months ago (05/23/2022)
The Aesthetics Of Critique: An Act Of Creation | ArtsEquator Skip to content Rebecca G dissects the art of critiquing and the expansion of critical perspectives in the arts criticism...
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about 32 months ago (05/18/2022)
“Spilt Gravy Ke Mana Tumpahnya Kuah” Makes Us Consider Time, History and the Prickly Question of Family | ArtsEquator Skip to content After years of waiting, Spilt Gravy Ke Mana Tumpahnya Kuah hits the screens in Malaysia on 9th June...
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about 33 months ago (04/21/2022)
Disability Arts – Notice us for our art, not our disability | ArtsEquator Skip to content Isaac Lim outlines conversations in online disability arts panel discussion, Nothing About Us Without Us: Artists on crafting their voices ...
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about 33 months ago (04/07/2022)
장애예술 – 장애가 아닌 우리의 예술을 보라 | ArtsEquator Skip to content 아이삭 림은 장애 예술에 관한 온라인 포럼, 우리가 없으면 우리에 대한 것도 없다: 목소리를 만들어 내는 예술가들에 대한 글을 썼습니다...
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about 34 months ago (03/29/2022)
Opposition: Cycles of love, forces of change | ArtsEquator Skip to content Faezah Zulkifli dissects Opposition - a multilayered narrative of the relationships people have with one another, with themselves and the spaces they inhabit...
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about 34 months ago (03/29/2022)
Singapore Arts Emerging from the "Great Pause" | ArtsEquator Skip to content The last two years have been significant for those working in arts and culture...
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about 50 months ago (11/16/2020)
(Episode 1) What's in a Scene - 《大狗民》Citizen Dog by The Finger Players | ArtsEquator Skip to content In this episode, Liu Xiaoyi and Oliver Chong unpack a scene from The Finger Players 十指帮 ‘s 《大狗民》Citizen Dog and talk about the set design, costume design and more...
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about 57 months ago (04/15/2020)
Scene and Heard: Pat Gui, Stage Manager | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Pat Gui April 15, 2020 (1,400 words, 5-minute read) I’m Pat Gui and I’ve been in the art industry for 29 years...
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about 59 months ago (02/27/2020)
Podcast 77: Fika and Fishy by Patch and Punnet | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints February 27, 2020 In this latest podcast episode, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss the recent production of Fika and Fishy by Patch and Punnet, the collective’s first production for the year about the friendship between a dog and a fish...
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about 76 months ago (10/22/2018)
Growing up Everywhere and Nowhere in “Peter and the Starcatcher” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng October 22, 2018 By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended session of make-believe to present the origin story of a Boy who detests all “grown-ups.” The story comes dusted in “starstuff,” a coveted substance that literally came from the stars, and has the magic to grant wishes....