In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work. As apparitions or ghosts, the images portrayed appear or vanish in the space as faded recollections of a distant landscape. These impressions appear as oscillatory surfaces that fluctuate between presence and absence; they are contingent objects that shift as a result of their environment.
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc. The display is a collection of selected objects chosen in response to the reading of a text by Alain Badiou (the first chapter of the seminar “Le réel est l’impasse de la formalisation; la formalisation est le lieu de passe en force du réel” from February 4, 1975). The elements are a visual way to question the transposition of an idea into reality.
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work...