4 items, 15ms

» Refine your search

theme: subspecies.n.01



Classification

Decade Work Created

Region

Artist Name

A short video about Tate Modern
© » KADIST

Emma Wolukau-Wanambwa

Film & Video (Film & Video)

A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist. The first scene portrays Wolukau-Wanambwa in a close-up frontal view, dressed in black, standing silently against a worn white wall. Through subtitles, the artist recounts her experience of participating in a workshop on the top floor of the museum.

Sheet 5 (Stamped series)
© » KADIST

John Lucas and Claudia Rankine

Drawing & Print (Drawing & Print)

Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes. In the twenty-first century, blondeness is the look desired by American presidents, pop stars, rappers, television announcers, Hollywood celebrities, the boy next door, and some Asian Americans, African Americans, white Americans, Arab Americans, and LatinX Americans. The desirability of blonde hair has no genre boundaries, no pronoun limitation, and no class limit.

Figuration (B)
© » KADIST

Jibade-Khalil Huffman

Film & Video (Film & Video)

Jibade-Khalil Huffman’s work brings together spoken and written language, photography, vintage television and computer animation to pay homage to African-American popular culture. Figuration (B) is a mediatic dumpster dive through the not-yet-historical past, its fantasia of purloined images flowing to an interruptive, channel-surfing logic. A stream of TV clips, commercials, news segments, video memes, and movie scenes—at times run backwards, doubled, or layered over other clips—incorporate archival and pop cultural sources layered with a soundtrack constructed of found and made sources to make something akin to a video mixtape.

The Mermaids, or Aiden in Wonderland
© » KADIST

Karrabing Film Collective

Film & Video (Film & Video)

The Mermaids, or Aiden in Wonderland by Karrabing Film Collective is a surreal exploration of Western toxic contamination, capitalism, and human and non-human life. Set in a land and seascape poisoned by capitalism where only Aboriginals can survive long periods outdoors, the film tells the story of a young Indigenous man, Aiden, taken away when he was just a baby to be a part of a medical experiment to save the white race. He is then released back into the world to his family.

John Lucas and Claudia Rankine

John Lucas and Claudia Rankine are interdisciplinary thinkers and makers committed to exploring the nuances of race and power in our daily lives...

Emma Wolukau-Wanambwa

Emma Wolukau-Wanambwa is an artist, researcher, and convenor of the collective the Africa Cluster of the Another Roadmap School, a project fostering conversations about art and education in Africa...

Jibade-Khalil Huffman

Jibade-Khalil Huffman uses performance, photography, and video that pushes the capabilities of text and image to tell stories and convey meaning...

Karrabing Film Collective

Karrabing Film Collective is an indigenous media group consisting of over 30 members, bringing together Aboriginal filmmakers from Australia’s Northern Territory...