Elizabeth Hazan: Playful visionary – Two Coats of Paint Elizabeth Hazan, Glade, 2022, oil on linen, 66 x 55 inches Contributed by Patrick Neal / Elizabeth Hazan’s exhilarating oil paintings, on view at Hesse Flatow gallery in Chelsea, marry old-school color field abstraction and loopy, gestural shorthand...
The sharp, solitary eye of Sonia Gechtoff – Two Coats of Paint Sonia Gechtoff, Untitled , 1986, acrylic and graphite on paper mounted to linen, 38 1/4 × 46 inches Contributed by Natasha Sweeten / The contemplative works of Ukrainian American artist Sonia Gechtoff (born in Philadelphia 1926, died in NYC 2018), now on view at Bortolami and Andrew Kreps Gallery, range from the 1960s to early 2000s, but for me they evoke the frontality of Russian iconography , the dynamism of Italian Futurism , and the fractal abstractions of Sonia Delaunay...
Andy Meerow, medium cool – Two Coats of Paint Andy Meerow, installation view of Slanted Andy” at Derosia Contributed by Jonathan Stevenson / In Haskell Wexler’s iconic 1969 counterculture film Medium Cool , John Cassellis, a cold-eyed TV photojournalist played by the great Robert Forster, has internalized the notion of television as a “cool” medium in the McLuhan-esque sense of requiring viewers to search for context in order to understand what they are seeing...
Mary Jones: Layered histories – Two Coats of Paint Mary Jones, American Interior 2023, oil on digitally printed canvas, 52 x 38 inches Contributed by Katy Crowe / “Significant Properties,” the title of Mary Jones’s current exhibition at as-is.la and her first in Los Angeles in some years, aptly suggests real estate worth seeing...
Joan Snyder’s brilliant command of chaos – Two Coats of Paint Joan Snyder, Burlap Bars, 2022, oil, acrylic, rosebuds, twigs, burlap on linen, 54 × 66 inches Contributed by Abshalom Jac Lahav / “ComeClose,” Joan Snyder’s current exhibition at Canada , testifies to her enduring brilliance and evolving artistic language...
Patricia Satterlee and Fran Shalom: Heirs to Nozkowski – Two Coats of Paint Fran Shalom, Start from Zero, 2023, oil on canvas, 24 x 24 inches Patricia Satterlee, RYB 4, 2023, 2023, Flashe paint and graphite on linen panel, 42 x 46 inches Contributed by Sharon Butler / Abstract painter Thomas Nozkowski was widely and deservedly recognized for making intimately scaled abstract paintings using an idiosyncratic visual language that was derived from the visual and emotional stimuli of everyday life...
Brice Marden’s valedictory courage – Two Coats of Paint Brice Marden, Blue Painting, 2022-2023, oil on linen, 72 x 96 inches Contributed by David Rhodes / Brice Marden died at the age of 84 in August 2023...
Louis Fratino’s happy equilibrium – Two Coats of Paint Louis Fratino, Red Nude (After Mafai), 2023, oil on canvas 65 x 94 inches Contributed by Margaret McCann / Louis Fratino’s paintings in “In bed and abroad” at Sikkema Jenkins depict varied social situations, from intimate scenes to foreign climes...
David Diao: Impeccable touch – Two Coats of Paint Green Naftali: David Diao, On Barnett Newman, 1991-2023, Installation View ...
Colin Brant’s communion with the inconstant – Two Coats of Paint Colin Brant, Lake Louise / Poppies, oil on canvas, 50 x 60 inches Contributed by Natasha Sweeten / You might consider the title of Colin Brant’s quietly inspiring exhibition “Mountains Like Rivers,” currently on view at Platform Project Space, an invitation to a world flipped on its end: what’s inherently solid becomes liquid, what’s up is now down...
Charles LeDray: Securing memory – Two Coats of Paint Charles LeDray, Shiner, 2015–2023, wood, mat board, acrylic paint, enamel paint, watercolor, polyurethane, fabric, leather, embroidery floss, acrylic yarn, silicone rubber, Lava soap, mother of pearl, Fimo, pretzel bits, rabbit fur, bubble gum, wax, cinnamon oil, shoe dye, metal, copper wire, electrical tape, acrylic, foil, pumice, plastic, eraser, letterpress print, printed paper, 5 3/4 x 34 x 23 7/8 inches Contributed by Barbara A...