As a discipline born at the same time as colonialism, archeology is struggling to rid itself of this sad context. It is simultaneously the science of the creation and the restoration of ruins. Ali Cherri is interested in auctions of archaeological objects and the desire they inspire in this context.
In his new series of collages, Eichelmann takes his starting point from the “Belvedere Torso” in the Vatican Museum. In taking over and consuming the image of the sculpture, Eichelmann deconstructs its appearance by cutting it up, covering it, rendering the sculpture an allegorical ruin. Subverting the autonomy of the ancient sculpture in art history, Eichelmann creates a palimpsest through adding a new layer to the work in deconstructing and collapsing the famous sculpture.
Killed is a video projection in which William E. Jones appropriated and edited, in a rapid sequence, a selection from the more than 68,000 censored or discarded films produced by the Farm Security Administration’s photographers between 1935 and 1943. Roy Emerson Stryker, the then director of the program, was in charge of what he called “killing” negatives by punching holes in them to render them unusable. Killed continues Jones’s use of discarded film footage seen in his video created from vintage 1970s and 1980s gay porn that was included in the 2008 Whitney Biennial.
Volker Eichelmann (b...
The work of Ali Cherri, currently based in Beirut and in Paris, travers the traces of war in Lebanon in the landscape and in the collective memory...
In his new series of collages, Eichelmann takes his starting point from the “Belvedere Torso” in the Vatican Museum...
As a discipline born at the same time as colonialism, archeology is struggling to rid itself of this sad context...