Photography (Photography)

In Extra Curriculum Political Science Class 7/1972 , a group of women walk bare-foot and single file towards Dat Mui Mangrove in Ca Mau Province to attend ‘political science class’. These women wear headdress to protect their identities because they are spies placed strategically in the South by the Viet Cong. These classes of the ‘National Liberation Front for Southern Vietnam’ took place in the mangrove swamp in makeshift wooden huts where they would learn more of the political points of view of their forces and the changes in military situations across the country.

Photography (Photography)

In Mobile Military Medical Clinic 9/1970 , a stretcher carrying an injured solider is being carried through swamp-land towards a makeshift operation table.

Photography (Photography)

“Pasvang, Pollsmoor Maximum Security Prison” is the result of three months Subotzky spent inside the walls of Pollsmoor Prison, an overcrowded correctional facility largely controlled by gangs. Through talking to the prisoners and the warders, teaching classes in photography to the inmates and documenting his experiences, Subotzky captured a unique perspective of the prisoners and the prison itself. Subotzky was working digitally, and a key feature of the Pollsmoor work was panoramic images in which he would stitch together a number of shots to give a 360-degree view of the jammed prison wards and spaces.

Photography (Photography)

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community.

Photography (Photography)

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community.