Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic. Resembling large pick-up-sticks, the complete work is comprised of 126 vertical sculptures wrapped in fabric with alternately monochromatic and graphically patterned dyes and prints. Leaning against a wall and arranged side-by-side, they could be mistaken as highly decorated mallets for use in an undetermined ritual or game.
Drawing & Print (Drawing & Print)
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010. tranzit.cz is part of a network working independently in Austria, the Czech Republic, Hungary, Slovak Republic, and Romania since 2002. Such doodle-like drawings are often crucial components of Kim’s performances. The imagery of faces, heads, snakes, and serpentine paths are recurring motifs in the artist’s drawing practice.
Maria Taniguchi works across several media but is principally known for her long-running series of quasi-abstract paintings featuring a stylized brick wall device. Full of subtle gradations and low-key modulations, these are her trademark: a sustained, reiterative practice, steeped in repetition but carefully attuned to the economies and the sculptural presence of painting. Her approach to painting is conceptual.
Peter Robinson is an artist whose work explores the various cross-sections between materiality, identity, and the indigenous...
In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...
Throughout her paintings, sculptures, and videos, Maria Taniguchi unpacks knowledge and experience—connecting material culture, technology, and natural evolution—and investigates space and time, along with social and historical contexts...