Zbigniew Rogalski territory extends from painting to photography. Here , the artist turned his attention towards the photographic qualities in painting and towards the pictorialism found in photography . As the artist mentions on his website,” this work is about flying and the experiences connected with it – the person floats under the ceiling like a balloon, being hunched in a position recommended during an emergency landing”.
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit. Remotely driven footage of daily life in prison, the banality of a sink, of a plant or a plate of pasta are offtset against scenes of life outside, in the streets of Paris, a night of love or seascapes. The dialogue between the inmate and the artist occurs by text messages and captures this exceptional situation of exchange, sharing et perhaps dependence.
Loretta Fahrenholz’s video is composed of a patchwork of sequences. She constructs her film by juxtaposing stylized takes of street dance performances or images of the disasters at Far Rockaway caused by hurricane Sandy. A dancer goes back and forth in a corridor, a crooked silhouette contorts itself from anxiety on an unmade bed, bodies collapsed on the ground suddenly come to life, dancers, characterized by pixilated gestures, pretend to fight to the death.
Drawing & Print (Drawing & Print)
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island. Replete with its own population and constantly shifting topography, Avery’s intricately conceived project amounts to an ever-expanding body of drawings, sculptures, installations and texts which evince the island. Exhibited incrementally these heterogeneous elements serve as terms within the unifying structure of the island – as multiple emissions of an imaginary state, and as a meditation on the central themes of philosophy and the problems of art-making.
Drawing & Print (Drawing & Print)
Charles Avery has been constructing a narrative in his work since 2004. Between fantasy and reality, The Islanders is a very particular universe he has created in which to gather his disparate ideas. His practice primarily involves drawing, sculptures, texts and installations which participate in the epic and dreamlike narrative whole in the course of making.
As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe. In contrast to his signature immense tableaux, Pipe Opening is a direct but modest document of a “real” scene that Wall “encountered by chance” in daily life. However factual, the image indicates certain enigmatic significance, allowing multiple interpretations.
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco. VertiGhost features the re-creation of select scenes from Vertigo (which takes place in San Francisco), documentation of the life of a painting by Amedeo Modigliani in the Legion of Honor’s collection that was enshrouded by questions of authenticity, as well as interviews—including with the original film’s star Kim Novak— about the construction of realities in life and art. By thoughtfully overlaying these conversations and events, Hershman Leeson distills complex conversations around identity and authenticity into concise insights in just over 12 minutes.
Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris...
With the exemplification of visual illusions, such as reflection and obliteration, Rogalski is questioning reality and its mode of représentation...
Loretta Fahrenholz is a filmmaker, photographer, and curator...
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...
Drawing & Print
Charles Avery has been constructing a narrative in his work since 2004...
Drawing & Print
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...