© » KADIST
Bruno Serralongue
The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture. In this photograph, which is relatively poor in information, the projection screen in the background acts as a clue about the event: Bruno Serralongue went to the second phase of the ‘Sommet Mondial sur la Société de l’Information’ (or SMSI, World Summit on Information Society, in Tunis in November 2005). This portrait echoes another picture in the same series (Native Peoples Claim Their Right to Participate in the Information Society) in which Joe Shirley is just a silhouette amongst the speakers, whereas here he occupies the entire frame.
© » KADIST
Leonardogillesfleur
Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am. The photographic moment of a photo album which could have been taken by anybody in any familiar situation with the intention to immortalize that moment.”
© » KADIST
Toyin Ojih Odutola
Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand. The simplicity of Ojih Odutola’s compositions enables a consideration of skin, blackness, surface, and detail, all hovering out of time and space.
© » KADIST
Akram Zaatari
“Films inspired people a lot. they came to perform kissing in front of a camera. In a conservative society such as Saida, people were willing to play the kiss between two people of the same sex, but very rarely between a man and a woman.
© » KADIST
Pascal Shirley
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky. The women in the photograph exist ambiguously here. The photograph’s title, the subject’s outfits, and their environment suggest that they are both trapped and glorified within their position.
© » KADIST
Akram Zaatari
“When you position your hand on someone’s shoulder, your shoulders become straight and horizontal. Placing one’s hand on a stable surface helps position the shoulders and the general posture of the body.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.
© » KADIST
Akram Zaatari
“In the 1980s I started using coloured paper backdrops, one of which was yellow. You can see they never reached the floor. I used them for colour and black-and-white photography.” Hashem El Madani.
© » KADIST
Qiu Anxiong
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.
© » KADIST
Luisa Lambri
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.
© » KADIST
Catherine Opie
Alistair Fate (1994) depicts, presumably, a member of the LGBT community. Catherine Opie is known for her portraits of LGBT, queer, and outsider people; she intends them to come off not as shocking or different, but as human despite their deviance from societal norms. This image is one of several works by Opie in the Kadist Collection that show marginalized people, filtered through the artist’s signature appropriation of formal and classical portraiture in the interest of both documentation and reframing.
© » KADIST
Catherine Opie
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender. The very practice of being photographed raises many complex issues around gender performance and the relationships between an inner self and an outer public persona. Even though Mike and Sky are cropped and obscure one another, many of their choices for self-presentation—as emphasized by their tattoos—remain visible.
Akram Zaatari
- location: Sayda, Al-Lubnan
- year born: 1966
- gender: male
- nationality: Lebanese
Catherine Opie
- location: Los Angeles, California
- year born: 1961
- gender: female
- nationality: American
- home town: Sandusky, Ohio
Leonardogillesfleur
The artistic entity “leonardogillesfleur” is the alliance between two artists, Leonardo Giacomuzzo (b...
Luisa Lambri
- location: Los Angeles, California
- year born: 1969
- gender: female
- nationality: Italian
- home town: Como, Italy
Bruno Serralongue
Bruno Serralongue integrates his practice into the processes of production and distribution of information via images...
Pascal Shirley
Pascal Shirley’s photographs portray a California of beaches, music festivals, families, and hipsters wandering through the hills...
Qiu Anxiong
- location: Shanghai, China
- year born: 1972
- gender: male
- nationality: Chinese
- home town: Chengdu, Sichuan Province, China
Toyin Ojih Odutola
Though born in Nigeria, artist Toyin Ojih Odutola was raised largely in the United States, living in Alabama, California, and now New York...
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1950-1959
Akram Zaatari
1950“In the 1980s I started using coloured paper backdrops, one of which was yellow...
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1960-1969
Akram Zaatari
1960“When you position your hand on someone’s shoulder, your shoulders become straight and horizontal...
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1990-1999
Catherine Opie
1993Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
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2000-2009
Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Leonardogillesfleur
2005Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am...
Pascal Shirley
2006Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
Bruno Serralongue
2008The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture...
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2010-2019
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Toyin Ojih Odutola
2013Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand...