Film & Video (Film & Video)

Living Distance by Xin Liu is a VR work and two-channel video based on a real mission in which the artist’s wisdom tooth was sent to outer space and back down to Earth again. In the VR work, users play the role of the tooth, journeying from the mouth to outer space, with a poetic narration by Liu. The piece is exquisitely rendered, with deep blacks that make the experience especially powerful on a Vive Pro.

Film & Video (Film & Video)

Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science. Set in Hong Kong, each of the locations draw connections to places commonly tied to dominant disease outbreak narratives, such as a bustling wet market with butchers handling and selling raw meat products and the Hong Kong West Kowloon Railway Station, a cross-boundary transport terminus that sees a high traffic footprint and directly linking Hong Kong’s city center to Mainland destinations without interchange. As the artist travels around the city, she observes systems of surveillance such as police officers patrolling, security cameras, and an encircling helicopter, all playing an important role in managing the population and instating health security.

Painting (Painting)

In Ad Minoliti’s expansive three-panel painting Abstracción geométrico-galáctica the artist’s hallmark geometric abstractions serve as playful substitutes for more straightforward depictions of the world. A departure from previous bodies of work that explore the modern interiors of 1960’s-era American homes, porn sets, and jungles, Abstracción geométrico-galáctica launches the artist’s geometric characters into space for the first time. The work draws directly from Minoliti’s experience with The Feminist School of Painting .

Sculpture (Sculpture)

This work was conceived by Zhilyaev as part of the M. I. R.: Polite Guests from the Future exhibition. This iteration of the imagined Museum of Russian History (M. I. R.) is seen from a distant future standpoint. The Russian word ‘mir’ means both peace as well as ‘the world’, and is also the name of the first space station to ever orbit earth.

Painting (Painting)

Simon & Gus by Bobo is a binaural and fantastical artwork that tells the story of a sea steading maker-hobbyist as told from the perspective of an arduino board, and a mars dwelling stop motion animator as told from the perspective of a stop motion armature. The stop motion animator attends an artist residency on the red planet, and eventually sets out to start his own artist colony (a martian animation studio) with stupefying hubris. The result has disastrous consequences, with the martian ghosts eventually swallowing his soul, and his armature gaining full access to the animator’s motor skills and control of his ability to move.

Drawing & Print (Drawing & Print)

Report of the Legal Subcommittee is a print featuring a map of the stars, together with a found transcription of a recent United Nations meeting in which various international delegations declare frustration with their 40-year-old, ongoing efforts to devise a legal definition of outer space. This admission seems to hold a rich poetic potential, the human attempts to bureaucratize and control outer space seemingly frustrated by the sublime scale and mystery of its infinite depths.

The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style. The images in them allude to his ever-recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. However, it is worth noting that this formal quality of his work is not exhausted in the simple illustration.