O Africano (1984) is a large acrylic painting on canvas, made early in the artist’s career, and directly references both Leonilson’s artistic precursors and his desire to imagine and capture what it means to be Brazilian. It is about the importance for many Brazilians of their African ethnic and cultural heritage.
Third Realm (2011) grew out of the artist’s long-term research of Indonesia’s colonial history and the processes of modernization and urbanization that have taken place there. Kuswidananto describes the nation as perpetually in an “in-between” state of transition. Thus he has developed the concept of a third reality, third space, or third body—an identity specifically for Indonesia that reflects its spatial realities and national character.
Inspired by Indonesia’s complex social history, political identity, ideologies, and culture, as well as his training as a musician, Jompet Kuswidananto makes multimedia installations that often combine video, sound, and mechanized elements...
O Africano (1984) is a large acrylic painting on canvas, made early in the artist’s career, and directly references both Leonilson’s artistic precursors and his desire to imagine and capture what it means to be Brazilian...
Third Realm (2011) grew out of the artist’s long-term research of Indonesia’s colonial history and the processes of modernization and urbanization that have taken place there...