The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible. The film is part of the broader project The Challenge through which the artist depicts the boredom and rituals endured by young Qatari men throughout various forms of costly and codified entertainment, including the highly theatrical practices of falcon hunting or car racing. The strange, almost surreal, choreography set against an artificial, overexposed backdrop, highlights the privileged presence of men in this part of the world, grouped together by sex and social class.
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls. They invented the poses, the gestures and situations.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.
“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948. Like all studio photographers his subjects came to him.
Yuri Ancarani’s films are quasi-hypnotic devices; following highly unique bodily and site-specific choreographies, drawing sensitive portraits of human relations...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani...
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...