In Un Hombre que Camina (A Man Walking) (2011-2014), the sense of rhythm and timing is overpowered by the colossal sense of timelessness of this peculiar place. Shot in Uyuni, Bolivia, the film depcits world’s largest salt flat, a site that sits in a mountainous region at over twelve thousand feet above sea level. Ramirez’s work is deeply invested in the loss of regional identity, and the anachronistic dress of his “modern-day shaman” in the film is meant to reconcile the historical and cultural gaps between tribal traditions of a specific time and place and the all-too-prevalent homogeneity brought on by advanced capitalism.