Painting (Painting)

Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape. Rooted in Central American folklore, politics, and culture, his works often move beyond the canvas onto the wall or into the streets. In Á rbol y Pelicao (Tree and Pelican, 2009), a tree with cartoonlike creatures drawn in pen beside it emerges from a field of bright swaths of color.

Installation (Installation)

Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model. The work takes as its departure point the history of Wilmington, Ybarra’s native hometown in southern Los Angeles. The piece refers to a Civil War era ammunition store that Ybarra found at the heart of the harbor close to Long Beach.