1 items, 9ms
theme: father.n.01
Ambiguous Gestures takes as its point of origin a film Gmelin discovered in his father’s archive. Filmed from a fixed point, it portrays his father in an intimate performance of body painting with a woman unknown to Felix Gmelin. The discovery of this footage was obviously disturbing.
With a degree in painting and inspired by so-called institutional criticism, Felix Gmelin is interested in the possibilities of painting as a form of resistance and its direct relation to a form of socio-political reality...