Advanced Technology (Advanced Technology)
View of Harbor by Jon Rafman mines the latent cultural imaginary surrounding climate change and society’s collective death drive. In contrast with other recent works that aim to use VR or AR to visualize the impact of climate change, Rafman’s work instead presents the rising sea as an almost anthropomorphized foe, within which strange human-like bodies lurk as the viewer is swept into a kind of watery hellscape. This strong element of fantasy leads the viewer to wonder what type of wish fulfillment is at play—what desire for the museum to be inundated, for the existing social order to be washed away by the deluge?
Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos. This video work exemplifies a new, global wave of queering tradition, indigenous references and international pop/post-internet esthetics. In this short video, a Chinese-American restaurant worker falls in love with an 18th century Qing dynasty god of gay lovers who visits him at night and leads him on a journey of sexual awakening and self discovery.
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip. As his steel outline gleefully makes off with a bag of money and a stack of bills, another icon of affluent America, Uncle Pennybags (otherwise known as the Monopoly Man), is crushed underfoot between two heavy blocks. Behind them lies a broken piggy bank, depicted upside down with eyes X-ed out.
Drawing & Print (Drawing & Print)
Charles Avery has been constructing a narrative in his work since 2004. Between fantasy and reality, The Islanders is a very particular universe he has created in which to gather his disparate ideas. His practice primarily involves drawing, sculptures, texts and installations which participate in the epic and dreamlike narrative whole in the course of making.
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects. He also often works at a very large scale to emphasize a connection to the tradition of history painting. Blockbuster (2011) was, at the time of its creation, the largest watercolor painting he had ever made.
Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows. Nugroho’s work both preserves traditional culture and offers a contemporary interpretation of it through his insertion of comical figures to comment on current social conditions. Moving Landscape includes characters such as a diamond-headed man, a UFO, and other items that appear frequently in Nugroho’s drawings and murals.
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket . The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.
Andrew Thomas Huang is one of the most original upcoming film makers working at the intersection of tradition, spirituality, non-Western imaginary, queerness, and digital fantasies and technical possibilities...
Jon Rafman’s practice over the past decade has been marked by in-depth explorations of digital culture...
Conrad Ruiz makes watercolor paintings of fantastic scenes...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip...
Drawing & Print
Charles Avery has been constructing a narrative in his work since 2004...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...
Advanced Technology
View of Harbor by Jon Rafman mines the latent cultural imaginary surrounding climate change and society’s collective death drive...
Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos...