Arima’s free brushstrokes gesture towards traditions in Expressionist painting. As with the acrylic painting Ticket (also 2015), Person in Red Sweater could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content. But if his portraits resist social commentary, they nonetheless challenge conventional standards of beauty through a decided embrace of decayed forms and colors.
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock. At first glance, due to the oversimplified silhouettes Ezawa employs, the connection between his animation and Namuth’s film may not be obvious. However, when seen side by side, Ezawa’s piece is a faithful reproduction of the scene—up until a point in which his sequence begins playing in reverse, effectively unpainting every brushstroke.
Kaoru Arima experiments with painting in order to discover new expressive forms...