“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium. The design of this chair makes stacking easy and rational. At the same time, this stack produces an optical effect that creates a shape resembling a tunnel or a subterranean passage.
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities. The drawing on wood, the popcorn mixture, and the title all manifest a bumpy fullness, a “more-is-more” conflation between supposedly eternal spirituality and everyday stuff. The work’s title points to a serious timelessness completely belied by the materials.
Gabriel Pericàs (b...
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium...