Drawing & Print (Drawing & Print)

For the collage U. S. Treasury Nose Segalove appropriated an image of a governmental-type agent inspecting an object on a table with a magnifying glass. By inserting written comments like “not a straw,” “not a spoon,” “not a razor blade,” the artist equates the inspector with a cocaine user. In this way, with keen, deadpan humor, the artist refers to all the stereotypes and social clichés associated with drug abuse particularly in the 1970s.

Painting (Painting)

Jorge de León most well-known work was a radical gesture, and one of his earliest artworks: in his 2000 performance, The Circle, de León sewed his own mouth closed as a protest against the silencing of citizens in the face of social corruption. His Cristal series is more demure, but follows a similar theme. In these works, delicate, web-like lines emerge against dark backgrounds, creating orbs of negative space, pitch black.