Feet Under Fire by Lungiswa Gqunta depicts the artist’s lower legs swinging in and out of frame, above a bed of charcoal. She wears a pleated white dress, two identical white anklets, and a set of bristle brushes as shoes. Affixed to the base of each scrubbing brush is a black strap so that the brushes don’t fall off of her feet.
Like most of Laura Rokas’s hand-stitched works, Once in Two Moons was made while she sat in bed, imbuing the work with a tender sense of domestic intimacy. The scene’s dominant figure is a faceless woman whose blood red, dagger-like fingernails, polka dot jacket, and jet black hair resemble a sort of avatar of the artist. The figure surveys a chaotic scene that might be described as a “cute apocalypse” (a phrase Rokas says is characteristic of her work in general).
Winfield St by Sadie Barnette depicts a seldom documented scene of men and boys in an intimate domestic setting. In the large format photograph three young boys and a man sit at a dining room table, eating a meal together. One boy is mid-bite, while another looks directly at the camera, obscuring the face of the adult.
In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups. These highly polished and aestheticized images create a poetic visual flow. However, in front of each object lies a coin of different value—two yuan, one pound, one euro, one dollar—that silently reveals the material value of the household supplies.
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
Laura Rokas is a painter, ceramicist, and textile artist...
Lungiswa Gqunta’s practice addresses issues concerning South African post-colonial culture and the country’s contemporary political landscape...
Sadie Barnette’s practice calls attention to family and community histories through photography, drawing, sculpture, and installation...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Feet Under Fire by Lungiswa Gqunta depicts the artist’s lower legs swinging in and out of frame, above a bed of charcoal...
Like most of Laura Rokas’s hand-stitched works, Once in Two Moons was made while she sat in bed, imbuing the work with a tender sense of domestic intimacy...
Winfield St by Sadie Barnette depicts a seldom documented scene of men and boys in an intimate domestic setting...