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theme: displacement.n.06



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Play
© » KADIST

Shimon Minamikawa

Painting (Painting)

In Play , the image comes from a fashion magazine from the 1950’s (USA) whose theme is costume sportswear from the 19th century. The image was first used in a series involving playing cards which have subsequently gone on to be used in a series of performances. There is cultural contextual displacement and confusion which is presented in the work which embodies the sense of – Play – that was introduced into Shimon’s work.

Ohne Titel
© » KADIST

Matti Braun

Painting (Painting)

During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker. On this occasion he learned about batik, a fabric printing technique which originates not only from Indonesia but also from Senegal. It is also widespread in Africa.

Las Bambas
© » KADIST

Elena Tejada-Herrera

Film & Video (Film & Video)

Las Bambas by Elena Tejada-Herrera takes the name of a copper mine in the Andean department of Apurímac, Peru. The operations of this mining project were resisted by the local peasant communities, whose protests forced it to paralyze its operations. As of 2023, this is the most serious unresolved social conflict in the country.

Stone Deaf (Drawing)
© » KADIST

Milena Bonilla

Drawing & Print (Drawing & Print)

Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions. Her drawings, sculptures, and photography are active investigations into our often-fallible notions of history. Stone Deaf (2009) is a direct intervention into Karl Marx’s gravesite, for which the artist literally traced the history of Marx’s grave.

Yo también soy humo (I am also smoke)
© » KADIST

Runo Lagomarsino

Film & Video (Film & Video)

Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video. It features a single shot of a vintage postcard depicting the Columbus Monument and the port of Barcelona, both of which are linked to colonial histories and historical trajectories. The sea is an unnaturally bright blue.

Color of History, Sweating Rocks
© » KADIST

Ranu Mukherjee

Film & Video (Film & Video)

Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.

Milena Bonilla

Milena Bonilla’s discursive practice explores connections among economics, territory, transit, and politics through everyday interventions...

Matti Braun

Matti Braun’s work entails research and experienced wanderings during sojourns and journeys...

Shimon Minamikawa

Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...

Ranu Mukherjee

Elena Tejada-Herrera

Elena Tejada-Herrera is a key figure at the intersection of feminist, performance, and technological art in Peru...

Runo Lagomarsino

© » KADIST

about 100 months ago (10/29/2016)