For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms. This technical rework allows for a clinical inspection of the material contents of the piece and the resulting slanted industrial monolith echoes minimalist sculpture, although with a different expressive texture. Indeed, Untitled can be seen as a contemporary pyramid with a painterly surface.
After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles. Usually displayed in grid against the wall or in a corner, the viewer is able to follow the sequence of cross sections to visually recreate the work’s genesis. In this way, Caesar’s pieces embody an interesting x-ray or archaeology of the artistic process itself.
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...