8 items, 15ms

» Refine your search

theme: criticism.n.01



Object Type

Classification

Collections

Decade Work Created

Artist Name

Mentions Per Year

Object Sub Type

Artist Traits

Flush, Algiers Agreement (1975)
© » KADIST

Bady Dalloul

Drawing & Print (Drawing & Print)

geopoliticalThe Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East. Each reconstituted ‘hand of play’ corresponds to a diplomatic treaty establishing or modifying geographical borders. The plastic form of a poker hand chosen by the artist highlights the randomness of the process of fixing boundaries and the way in which they do not account for the lives of those located there.

Straight, McMahon-Hussein correspondance (1916)
© » KADIST

Bady Dalloul

Drawing & Print (Drawing & Print)

The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East. Each reconstituted ‘hand of play’ corresponds to a diplomatic treaty establishing or modifying geographical borders. The plastic form of a poker hand chosen by the artist highlights the randomness of the process of fixing boundaries and the way in which they do not account for the lives of those located there.

Straight Flush - The Balfour Declaration (1917)
© » KADIST

Bady Dalloul

Drawing & Print (Drawing & Print)

The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East. Each reconstituted ‘hand of play’ corresponds to a diplomatic treaty establishing or modifying geographical borders. The plastic form of a poker hand chosen by the artist highlights the randomness of the process of fixing boundaries and the way in which they do not account for the lives of those located there.

Untitled (After Paul Schultze Naumburg's Kunst und Rasse, 1928)
© » KADIST

Felix Gmelin

Painting (Painting)

In Untitled (after Paul Schultze Nuremberg’s Kunst) (2006), from a larger series of diptychs, Gmelin addresses the notion of entartete kunst ( “Degenerate Art”) . Each diptych juxtaposes a portrait of a person considered to be mentally handicapped with a painting that was branded by the Nazi regime as degenerate. Gmelin’s source for these images is Kunst und Rasse (“Art and Race”), a book by Paul Schultze Naumburg published in 1928.

Bady Dalloul

Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...

Pedro Reyes

Taroop & Glabel

Tarrop & Galbel is a group of artists working together since 1993 and whose main objective see to challenge the more prevalent social values...

Felix Gmelin

With a degree in painting and inspired by so-called institutional criticism, Felix Gmelin is interested in the possibilities of painting as a form of resistance and its direct relation to a form of socio-political reality...

© » KADIST
May

about 160 months ago (11/01/2011)