Installation (Installation)

Dad is Byron is an audio work produced in collaboration between Diamond Stingily and her father, the house musician Byron Stingily. Viewers are invited to pick up a wall-mounted telephone that has been retrofitted to play a recording of a conversation between Stingily and her father. Although initially the artist planned to focus on her father’s recollections of the violence during his childhood in Chicago in the 1960s and how music helped him cope, the conversation has a natural and intimate meandering.

Photography (Photography)

In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977). PoT was an IBM sponsored documentary that visualized the relative scale and limits of the known universe, both macro and microscopic, through a sequence of magnifications by 10-to-the-x-power. Using the picnic as human-scale index, Futurefarmers capture their meetings with scholars through audio, photography, and then distributed the results publicly through a website and publication .

Film & Video (Film & Video)

The work BRB is a 30 min. journey in the new game world of Second Life (“SL”). Consistent with Segal’s work with the projected image, this video was shot using a virtual in-world camera, with the footage later being transformed by a software custom designed by the artist.

Drawing & Print (Drawing & Print)

Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin. For the performance, Kim interviews his frequent collaborator David Michael DiGregorio and a fellow musician, Byungjun Kwon, about love songs they have composed. The performance appears spontaneous and creates a space of vulnerability and intimacy, however in reality, the three rehearsed the performance numerous times and performed it in numerous cities.

Photography (Photography)

Changi, Singapore, possibly 1970s is from the series “As We Walked on Water” (2010-2012), which looks into Singapore’s history around the phenomenon of land reclamation. After exhausting the country’s own soil from its tiny hills and ridges, the government had to buy sand from Malaysia and Indonesia to continue its reclamation efforts. At the early stages of a land reclamation project, the imported sand would sit idle for some time, forming an artificial desert-like landscape.