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The works of Fabrice Hyber provoke divergent ways of thinking. In a kindred spirit with Raymond Hains, image and writing are intertwined. Drawings and diagrams are visually direct, as shown in the series of “Peintures Homéopathiques” (“Homeopathic Paintings”), collages covered in transparent resin (1986-1988).
In each of his self-portraits, Fabrice Hyber (he removed the last “t” in Hybert in 2004) is elusive...