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about 58 months ago (03/23/2020)
Interview with Wang Chong for "Made In China 2.0" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Pritchard March 23, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (1,000 words, 6-minute read) Experimental Chinese theatremaker Wang Chong presented a work-in-progress showing of his newest work, Made in China 2.0 , at Asia TOPA in February...
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about 64 months ago (09/19/2019)
KNOTS: An open letter to 艺族 STRANGER | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Pond Photography September 19, 2019 By Ke Weiliang (1,131 words, 6-minute read) Dear 艺族 STRANGER, After spending my Saturday afternoon with you at the Esplanade Theatre Studio, I struggled long and hard to make sense of the titular ‘knots’ that your inaugural play endeavoured to grapple with...
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about 75 months ago (11/04/2018)
Foolishness and Enlightenment in “Lear is Dead” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Casidhe Ng (1,200 words, six-minute read) “You are a madman, and we are but fools,” the ensemble resounds...
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about 75 months ago (11/04/2018)
Truth or Dare with “Lear is Dead” by Nine Years Theatre Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Teo Xiao Ting (1,069 words, six-minute read) After a gleaming heap of corpses dissipates into the afterlife and comes back for a closing bow, Lear is Dead ends with the quiver of revelation...