The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston. Its creases recall human skin, while the filigree pattern of red skeins implies what lies beneath. The body is fully implicated in this work.
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands.
Laura Gannon works across a range of media: painting, drawing, sculpture and video...