This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness. In Zombie Swallows The World, the image of the figure is almost overcome by strong light that visually blows away the edges of the body.
Many of Chaves and Gilda’s works use recycled cardboard. For Partituras, they arranged stacks of cardboard into long rectangles on the ground, which are visually analogous to fields of graphite in Chaves’s pencil drawings. While the blocks have a spare presence in space, they exist more full solidity within their borders, and the recycled nature of the cardboard adds some play into the clean minimalist rectangles and cubes.
George Pfau’s work explores marginal and transitional states of being...
The collaborative works of Raimond Chaves and Mantilla Gilda often derive from a direct engagement with the world...