This series of photographs is inspired by the artist’s travels to Jos, Nigeria. Having grown up in the urban environment of Lagos, Abraham Oghobase was struck by the tin-mining deposits and the man-made ponds and lakes that form a dominant part of the landscape in the city of Jos and its surroundings. While visually striking, the landscape also holds a complex history, excavated by the artist, who researched the prevalent mining of tin deposits that dates back to 1904 during the British colonial mineral exploration in the Northern Protectorate.
This series of photographs is inspired by the artist’s travels to Jos, Nigeria. Having grown up in the urban environment of Lagos, Abraham Oghobase was struck by the tin-mining deposits and the man-made ponds and lakes that form a dominant part of the landscape in the city of Jos and its surroundings. While visually striking, the landscape also holds a complex history, excavated by the artist, who researched the prevalent mining of tin deposits that dates back to 1904 during the British colonial mineral exploration in the Northern Protectorate.
This series of photographs is inspired by the artist’s travels to Jos, Nigeria. Having grown up in the urban environment of Lagos, Abraham Oghobase was struck by the tin-mining deposits and the man-made ponds and lakes that form a dominant part of the landscape in the city of Jos and its surroundings. While visually striking, the landscape also holds a complex history, excavated by the artist, who researched the prevalent mining of tin deposits that dates back to 1904 during the British colonial mineral exploration in the Northern Protectorate.
During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker. On this occasion he learned about batik, a fabric printing technique which originates not only from Indonesia but also from Senegal. It is also widespread in Africa.
This series of photographs is inspired by the artist’s travels to Jos, Nigeria. Having grown up in the urban environment of Lagos, Abraham Oghobase was struck by the tin-mining deposits and the man-made ponds and lakes that form a dominant part of the landscape in the city of Jos and its surroundings. While visually striking, the landscape also holds a complex history, excavated by the artist, who researched the prevalent mining of tin deposits that dates back to 1904 during the British colonial mineral exploration in the Northern Protectorate.
Abraham Onoriode Oghobase’s artistic practice explores identity in relation to socio-economic and historic geographies...
Matti Braun’s work entails research and experienced wanderings during sojourns and journeys...
During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...