El Hadji Sy is an important figure in the critical movement that followed Lépold Sedar Senghor´s Négritude ideology. Senghor supported El Hadji’s work from the start and continued to follow it, but they came together again in another cultural policy initiative, inaugurated by Senghor: the famous Villages des Arts. The village is a co-operative for artists in Dakar where each one has a professional studio.
Polanszky’s sculpture is made from raw, found materials that have the patina of age. He brings together disparate material discarded by society to form aggregates. Although it is not his intention to make works of meaning the viewer endows them with poetic meanings and constructs.
This embroidery on fabric tackles the oneiric and the uncanny to bring about visions of the world. One can discern the methods of nihonga painting (the traditional Japanese style that renders landscape and forms out of subtle shadows), but Ito upsets the balance by destroying perspective. His work is staunchly non-narrative.
Rudolf Polanszky, who has been working since the 1980s, is a Viennese artist...
Based on photographs and domestic environments, Maaike Schoorel’s paintings are charged with an atmosphere of melancholy and loss...
Zon Ito was born in 1971 in Osaka...
Born in Senegal in 1954, El Hadji Sy (El Sy) studied fine arts at the Ecole Nationale des Beaux-Arts in Dakar...
El Hadji Sy is an important figure in the critical movement that followed Lépold Sedar Senghor´s Négritude ideology...
Polanszky’s sculpture is made from raw, found materials that have the patina of age...